All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labours Lost Measure for Measure The Merry Wives of Windsor The Merchant of Venice A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre Taming of the Shrew The Tempest Troilus and Cressida Twelfth Night Two Gentlemen of Verona Winter's TaleHenry IVHenry V Henry VIHenry VIII King John Richard II Richard IIIAntony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Timon of Athens Titus AndronicusThe Sonnets A Lover's Complaint The Rape of Lucrece Venus and Adonis
Ein Märchen ist noch kein Märchen, nur weil es die altbekannten Figuren eines Märchens enthält, der Wolf mal wieder die Großmutter frisst und das siebte Geißlein sich in der Standuhr versteckt.
Mit Gothic Cinema schließt sich eine Lücke im deutschsprachigen Filmdiskurs: Erstmalig beleuchtet der Band einen bislang wenig diskutierten Filmzusammenhang.
Der Sammelband bringt verschiedene Zugänge und Kontexte zu Twin Peaks zusammen und greift dabei auch die besonderen produktions- und rezeptionsästhetischen Spezifika der Serie auf.
This book takes an intimate, collaborative, interdisciplinary autoethnographic approach that both emphasizes the authors' entangled relationships with the more-than-human, and understands the land and sea-scapes of Newfoundland as integral to their thinking, theorizing, and writing.
Ian McEwan, Margaret Drabble, Martin Amis, Rita Dove, Andrew Motion and Anthony Thwaite are among the twenty-two distinguished contributors of original essays to this landmark volume on the profound and frequently perplexing bond between writer and mother.
Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like-and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape.
This book examines Uncreative Writing-the catch-all term to describe Neo-Conceptualism, Flarf and related avant-garde movements in contemporary North American poetry-against a decade of controversy.
This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors.
Das »Reimlexikon« von Willy Steputat, 1891 erstmals bei Reclam erschienen und seither immer wieder neu bearbeitet, ist das bekannteste Reimlexikon der deutschen Sprache.
