Creative writing and creative writing guides

In this engaging guide, teacher, poet and lyricist Adrian May shows how magic is a tool used by writers to generate creativity, where concepts of magic are seen as portals of creative power.

This stimulating edited collection focuses on the practice of revision across all creative writing genres, providing a guide to the modes and methods of drafting, revising and editing.

This book critically examines Pierre Bourdieu's theory of the state by assessing its theoretical and empirical value.

Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics.

This book provides an extensive and original analysis of the way that written and spoken communication facilitates creative practice in the university art and design studio.

In Screenplay: The Foundations of Screenwriting (1979), Syd Field first popularized the Three-Act Paradigm of Setup, Confrontation and Resolution for conceptualizing and creating the Hollywood screenplay.

Drawing on years of experience of writing, teaching and publishing, this book offers essential tools for writers interested in honing their craft.

In this dynamic exploration of the discipline of creative writing, Graeme Harper departs from the established 'how-to' model in a personal manifesto which analyses why human beings are, and have long been, passionate about writing.

Short story publishing is flourishing in the 21st century and is no longer seen as a poor relation of the novel.

Contemporary theatre is going through a period of unparalleled excitement and challenge.

Futures for English Studies brings together chapters by leading writers across the curriculum area of English to investigate how the component parts of English (literature, language, and creative writing) are located institutionally in higher education and to explore the interdisciplinary prospects of a subject which spans the humanities and social sciences.

Implementing a novel method for identifying idiolectal co-selections, and taking the UNABOM investigation as a case study, this Pivot evaluates the effectiveness and reliability of using the web for forensic purposes.

This revised, updated and expanded new edition of The Road to Somewhere will help you to acquire the craft and disciplines needed to develop as a writer in today's world.

Affective Disorder and the Writing Life interrogates the mythos of the 'mad writer' through lived experience, literary analysis, writerly reflection and contemporary neuroscience.

Writing for theatre is a unique art form, different even from other kinds of scriptwriting.

In this inspiring collection of essays, a range of award-winning, established and newly published writers offer highly personal accounts of their creative processes.

First-Year Writing describes significant language patterns in college writing today, how they are different from expert academic writing, and how to inform teaching and assessment with corpus-based linguistic and rhetorical genre analysis.

Screenwriters and Screenwriting is an innovative, fresh and lively book that is useful for both screenwriting practice and academic study.

Television drama has come to rival cinema in its sophisticated narrative form and high production values.

This unique book explores the social processes which shape fictional representations of police and crime in television dramas.

Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.

Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism.

Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day.

The screenplay is currently the focus of extensive critical re-evaluation, however, as yet there has been no comprehensive study of its historical development.

This book revives and revitalises the literary Gothic in the hands of contemporary women writers.

Offering unique insights into the writing and production of television drama series such as The Killing and Borgen, produced by DR, the Danish Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers' rooms and 'production hotels' through detailed case studies of Denmark's public service production culture.

Teaching Creative Writing includes lively contributions from two dozen leading practitioners in the field.

A guide to the modes and methods of Creative Writing research, designed to be invaluable to university staff and students in formulating research ideas, and in selecting appropriate strategies.

Writing Poetry combines an accessible introduction to the essential elements of the craft, with a critical awareness of its underpinnings.

The essays within this collection explore the possibilities and potentialities of all three positions, presenting encounters that are, at times contradictory, at other times supportive, as well as complementary.

Christina Kallas argues for and sets out a genuinely original and creative approach to writing for the screen.

This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond.

This book illuminates how technique serves 'story logic,' the particular way fiction makes meaning.

McGee studies historical representation in commodified, popular cinema as expressions of historical truths that more authentic histories usually miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds .

In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics can enrich the craft of creative writing.

A great theater critic brings twentieth-century playwright Arthur Miller's dramatic story to life with bold and revealing new insights "e;Lahr's cogent analyses are revelatory.

Writing is not like chemical engineering.

Writing is not like chemical engineering.

Here Comes the Bogeyman is an essential text focussing on critical and contemporary issues surrounding writing for children.

Here Comes the Bogeyman is an essential text focussing on critical and contemporary issues surrounding writing for children.

Harmoniouslyblending actionable advice and spiritual insight, a renowned writing mentor gives women the tools they need to discover their voiceand themselveson the page.

In this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work.

In this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work.

Monsters Under the Bed is an essential text focussing on critical and contemporary issues surrounding writing for 'early years' children.

Monsters Under the Bed is an essential text focussing on critical and contemporary issues surrounding writing for 'early years' children.

Writers Have No Age: Creative Writing for Older Adults, Second Edition is a book for writers by writers.

Writers Have No Age: Creative Writing for Older Adults, Second Edition is a book for writers by writers.

This is a book for all women writers, professional, amateur or aspiring, in which forty women talk about writing and the part it plays in their lives.

This is a book for all women writers, professional, amateur or aspiring, in which forty women talk about writing and the part it plays in their lives.

Launch your career in writing for video games or animation with the best tips, tricks, and tutorials from the Focal press catalog--all at your fingertips.