Critical Models combines into a single volume two of Adorno's most important postwar works - Interventions: Nine Critical Models (1963) and Catchwords: Critical Models II (1969).
This collection explores popular culture in Ireland and Ireland in popular culture, from Fanfic to Orange Parades; from boybands to the Blessed Virgin Mary; from celebrity tourism to the Gaelic Athletic Association.
This classic work by one of the most important philosophers and critics of our time charts the genesis and trajectory of the desiring subject from Hegel's formulation in Phenomenology of Spirit to its appropriation by Kojeve, Hyppolite, Sartre, Lacan, Deleuze, and Foucault.
This book offers arguments against the view that interpersonal understanding involves a 'folk' or 'commonsense' psychology, a view which Ratcliffe suggests is a theoretically motivated abstraction.
This book pushes nihilism to its ultimate conclusion by linking revisionary naturalism in Anglo-American philosophy with anti-phenomenological realism in French philosophy.
This first comparative study of the philosophers and literary critics, Walter Benjamin and Mikhail Bakhtin, focuses on the two thinkers' conceptions of experience and form, investigating parallels between Bakhtin's theories of responsibility, dialogue, and the novel, and Benjamin's theories of translation, montage, allegory, and the aura.
Shows that Husserl's Phenomenology and its key concept, subjectivity, is based on a concrete anthropological structure, such as self-affection and the bodily experience of the other.
This unique collection of articles on emotion by Wittgensteinian philosophers provides a fresh perspective on the questions framing the current philosophical and scientific debates about emotions and offers significant insights into the role of emotions for understanding interpersonal relations and the relation between emotion and ethics.
A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy.
Interweaving psychoanalysis, gender and cultural studies, and postmodern theories of geopolitics, this study of the monster in contemporary narratives demonstrates that the monster (and monstrosity) is largely a cultural and ideological production.
This book sheds unprecedented light on Wittgenstein's third masterpiece, On Certainty , clarifying his thoughts on basic beliefs and rebuttal of scepticism.
Nationality Between Poststructuralism and Postcolonial Theory: A New Cosmopolitanism examines and interrogates recent work on nationality in literal, critical and cultural theory.
Of the many questions provoked by Blanchot's thought and writing, that of understanding its ethical and political significance is perhaps the most pressing.
Ausgehend von Nietzsches kritischer Auseinandersetzung mit Schopenhauers Willensmetaphysik und Mitleidsethik rekonstruiert die Arbeit Nietzsches Moralkritik als Wiederaufnahme der antiken Ethik des guten Lebens.
The idea of "e;Utopia"e; has made a comeback in the age of globalization, and the bewildering technological shifts and economic uncertainties of the present era call for novel forms of utopia.
Contemporary Poetry and Postmodernism explores the fraught relationship between the poetry of the mainstream and kinds of modernist poetry that have had to make their way outside it.
This historically-informed critical assessment of Dummett's account of abstract objects, examines in detail some of the Fregean presuppositions of Dummett's account whilst also engaging with phenomenological approaches and recent work on the problem of abstract entities.
Starting from a comprehensive examination of current poststructuralist and sociosemiotic theories of narrative, this book formulates an interactive model of literary interpretation and pedagogy emphasising process, critical self-awareness and strategies of rereading/rewriting.
The first book in English to offer a systematic survey of Bolzano's philosophical logic and theory of knowledge, it offers a reconstruction of Bolzano's views on a series of key issues: the analysis of meaning, generality, analyticity, logical consequence, mathematical demonstration and knowledge by virtue of meaning.
Metaethics occupies a central place in analytical philosophy, and the last forty years has seen an upsurge of interest in questions about the nature and practice of morality.
This book offers arguments against the view that interpersonal understanding involves a 'folk' or 'commonsense' psychology, a view which Ratcliffe suggests is a theoretically motivated abstraction.
Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.