This book's overarching premise is that discussion and critique in the discourses of architecture and urbanism have their primary focus on engagements with form, particularly in the sense of the question as to what planning and architecture signify with respect to the forms they take, and how their meanings or content (what is "e;contained"e;) is considered in relation to form-as-container.
Dieses Buch geht von der Frage aus, wie Bilder erscheinen und in ihrem Geschehen als Bild auf etwas hinweisen, das mit dem Phänomen selbst nicht zusammenfällt.
Dieses Buch geht von der Frage aus, wie Bilder erscheinen und in ihrem Geschehen als Bild auf etwas hinweisen, das mit dem Phänomen selbst nicht zusammenfällt.
Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind.
This book introduces a standpoint approach to phenomenology and reconceives the phenomenological project as not an individual but a communal endeavor-one that, importantly, requires insight from across the spectrum of human experience and especially experiences of those who have traditionally been absent from the discipline.
This book connects recent developments in speculative realism, new materialism, and eco-phenomenology to articulate an approach to wonder that escapes the connected traps of anthropocentrism and correlationism.
Constructing the Present: An Investigation into Time-Consciousness investigates what time is like for us as subjects and answers the question of how our experiential present comes to be.
This book introduces a standpoint approach to phenomenology and reconceives the phenomenological project as not an individual but a communal endeavor-one that, importantly, requires insight from across the spectrum of human experience and especially experiences of those who have traditionally been absent from the discipline.
This book presents the idea of the gift of bonds as the core intuition of phenomenology, constituting it into that method of philosophical research that Husserl had in mind when he characterized phenomenology as the culmination and fulfillment of Western philosophy.
The Death of the Author and Anticolonial Thought promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account-previously unstudied-of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967.
This edited volume identifies and analyses the Eco-Weird as an interdisciplinary theoretical tool for engaging in fictional, philosophical, filmic, and ludic texts.
This book examines and elucidates the concept of spirit in Stein's philosophical work, particularly the role it plays in her philosophical anthropology and her understanding of intersubjectivity and community.
This book examines and elucidates the concept of spirit in Stein's philosophical work, particularly the role it plays in her philosophical anthropology and her understanding of intersubjectivity and community.
Philosophical thinking allows itself to be nourished by seemingly non-committal exercises of thought but at the same time seeks forms of irrefutable knowledge.
This book connects recent developments in speculative realism, new materialism, and eco-phenomenology to articulate an approach to wonder that escapes the connected traps of anthropocentrism and correlationism.
In seinen beiden Hauptwerken Grundbegriffe der Kommunikation ( Der einzige einschlagige formale Explikationsversuch, der bisher uberhaupt in irgendeiner Sprache erschienen ist.
Die Sprache bildet die Welt nicht einfach ab, sondern gibt dem, was uns in der Erfahrung begegnet und was wir denkend erfassen, jeweils einen bestimmten Sinn und damit eine bestimmte Gestalt.
Kosmos und Subjektivität – dieses Begriffspaar stellt sogleich einen Antagonismus vor, denn Subjektivität konstituiert sich alleine im irreduziblen Bruch mit der kosmischen Einheit.
Der traditionell behauptete Gattungsunterschied von wahrheitsorientierter philosophischer Prosa und fiktionaler Literatur stellt sich nicht zuletzt dann als problematisch heraus, wenn Formen des Denkens und Erkennens aus der Betrachtung herausfallen, die sich keinem der beiden Modelle zuordnen lassen.
