Una vez más presentamos en este volumen las actas de las últimas jornadas de diálogo, que la Asociación Interdisciplinar «José de Acosta» (ASINJA) organiza anualmente desde hace ya veintiocho años, y en las que participa un nutrido grupo de profesores universitarios de toda España.
Gedankenexperimente weisen in der Philosophie einen widersprüchlichen Status auf: Sie werden einerseits regelmäßig entworfen und breit diskutiert, andererseits werden sie ebenso häufig kritisiert oder sogar als Methode abgelehnt.
This book seeks to develop an understanding of the changes in contemporary forms of government and explores the nature and structure of the various corrupt, undemocratic, oppressive, and abusive governments that continue to emerge around the globe.
This book seeks to develop an understanding of the changes in contemporary forms of government and explores the nature and structure of the various corrupt, undemocratic, oppressive, and abusive governments that continue to emerge around the globe.
What would a body of literature, focusing on Southern childhoods, look like when epistemologically driven by the demands (social, cultural, economic, political) of the localities in which they are shaped and produced?
Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century.
How does a regime, whose members have been actively involved in the previous one, appropriate and deploy religious ideas and rhetoric to cast itself as 'born-again' and attractive?
Most countries on the African continent have ratified or acceded to several human rights treaties, including the Torture Convention and the African Charter on Human and People's Rights.
This book offers an extensive critical overview of eco-socialism, one of the most generative and significant aspects of contemporary debates within socialism.
The Red Pencil (1989) examines the many ways in which Soviet censorship interfered in the creative process - in the words of those who experienced it first hand.