This volume examines the ways in which divination, often through oracular utterances and other mechanisms, linked mortals with the gods, and places the practice within the ancient sociopolitical and religious environment.
The present volume was made possible by the Norwegian Research Council's generous funding of the Human Sacrifice and Value project (FRIPROHUMSAM 275947).
Since Freud published the Interpretation of Dreams in 1900 and utilized Sophocles' Oedipus Rex to work through his developing ideas about the psycho-sexual development of children, it has been virtually impossible to think about psychoanalysis without reference to classical myth.
Applying the latest narratological theory and focusing on the use of anachrony (or 'chronological deviation'), this book explores how Statius competes – successfully – for a place within an established literary canon.
This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy.
In The Moral Psychology of Clement of Alexandria, Kathleen Gibbons proposes a new approach to Clement's moral philosophy and explores how his construction of Christianity's relationship with Jewishness informed, and was informed by, his philosophical project.
Magic and the Supernatural in Fourth Century Syria presents an in-depth investigation of a variety of 'magical' practices with a focused study in the late antique Syria and Palestine.
This volume examines biblical wisdom literature both in its historical context and as it relates to a host of contemporary themes, including overcoming social divisions, reading from a place of inclusion, healing from trauma, and challenging religious attitudes toward climate change and animals.
This English translation of Giorgio Buccellati's ambitious work offers readers an insightful discussion of ancient Mesopotamian religion and spirituality in its relationship to the biblical ethos.
Said to contain the words of the earliest of the biblical prophets (8th century BCE), the book of Amos is reinterpreted by the author in light of new and sometimes controversial historical approaches to the Bible.
Christian communities flourished during late antiquity in a Zoroastrian political system, known as the Iranian Empire, that integrated culturally and geographically disparate territories from Arabia to Afghanistan into its institutions and networks.
This new title by Kate West, bestselling author of The Real Witches' Handbook, will contain masses of spells and rituals for celebrations marking the seasons and festivals of the year, as well as a wealth of other information about magic for the initiated or the beginner alike.
Reading Ecclesiastes explores the literary style and themes of the Book of Ecclesiastes, investigating its overall theological messages and the cultural perspectives which readers bring to bear on their act of reading.
This title is part of UC Presss Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
The humanitarian concerns of the biblical slave laws and their rhetorical techniques rarely receive scholarly attention, especially the two slave laws in Deuteronomy.
This book explores Cassian's use of scripture in the Conferences, especially its biblical models to convey his understanding of the desert ideal to the monastic communities of Gaul.
Helen Rhee's outstanding work is the first book to bring together The Apologies and the semi-fictional Apocryphal Acts and Martyr Acts in a single study.
Divine Providence and Human Agency develops an understanding of God and God's relation to creation that perceives God as sovereign over creation while, at the same time, allowing for a meaningful notion of human freedom.
The central premise of this book is that biblical Hebrew narrative, in terms of its structure, tends to operate under similar mechanical constraints to those of a stage-play; wherein 'space' is central, characters are fluid, and 'objects' within the narrative tend to take on a deep internal significance.