*NOW A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN AND ZOE KAZAN*'Explosive' Margaret Atwood'Seismic' Observer'Brilliant' Nigella Lawson'Gripping' Jon RonsonA FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAROn 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.
A favourite with both students and lecturers, How to Do Media and Cultural Studies provides readers with all the knowledge and practical expertise they need to carry out their project or dissertation.
A favourite with both students and lecturers, How to Do Media and Cultural Studies provides readers with all the knowledge and practical expertise they need to carry out their project or dissertation.
Madchester may have been born at the Hacienda in the summer of 1988, but the city had been in creative ferment for almost a decade prior to the rise of acid house.
The book explores how we understand global conflicts as they relate to the "e;European refugee crisis"e;, and draws on a range of empirical fieldwork carried out in the UK and Italy.
The book explores how we understand global conflicts as they relate to the "e;European refugee crisis"e;, and draws on a range of empirical fieldwork carried out in the UK and Italy.
This book critically examines images in the borderlands of the art world, investigating relations between visual art and vernacular visual culture within different images communities from the 1870s to the present day.
Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976.
This book discusses the framing of referendum campaigns in the news media, focusing particularly on the case of the 2014 Scottish independence referendum.
This book discusses the framing of referendum campaigns in the news media, focusing particularly on the case of the 2014 Scottish independence referendum.
This book explores the concept of 'quiet' - an aesthetic of narrative driven by reflective principles - and argues for the term's application to the study of contemporary American fiction.
This book explores the concept of 'quiet' - an aesthetic of narrative driven by reflective principles - and argues for the term's application to the study of contemporary American fiction.
This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two.
This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two.
In light of the innumerable interventions that characterise the transformation of Ireland over the last two decades, Spacing Ireland: Place, society and culture in a post-boom era explores questions of 'space' and 'place' to understand the nature of major social, cultural and economic change in contemporary Ireland.
In light of the innumerable interventions that characterise the transformation of Ireland over the last two decades, Spacing Ireland: Place, society and culture in a post-boom era explores questions of 'space' and 'place' to understand the nature of major social, cultural and economic change in contemporary Ireland.
From entertainment to citizenship reveals how the young use shows like X-factor to comment on how power ought to be used, and how they respond to those pop stars - like Bono and Bob Geldof - who claim to represent them.
From entertainment to citizenship reveals how the young use shows like X-factor to comment on how power ought to be used, and how they respond to those pop stars - like Bono and Bob Geldof - who claim to represent them.
This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time.
Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way.