Recent portrayals of the private sector as the engine of poverty alleviation in Africa's agricultural growth corridors have sparked critique by scholars and activists alike.
For more than a decade, Alexis Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time.
