In Hidden Histories, Monique Moultrie collects oral histories of Black lesbian religious leaders in the United States to show how their authenticity, social justice awareness, spirituality, and collaborative leadership make them models of womanist ethical leadership.
Bodies of Evidence: The Practice of Queer Oral History is the first book to provide serious scholarly insight into the methodological practices that shape lesbian, gay, bisexual, transgender, and queer oral histories.
Scholarship on Japan has recently broadened to include minority perspectives on communities from marginal workers to those whose sexuality has long been overlooked.
Focusing on locations as diverse as the rural southern United States, Brazil, Istanbul, and South Korea, this book advances our understandings about how lesbian, bisexual, and queer women navigate identity, community, and politics.
This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community.
The Gay Archipelago is the first book-length exploration of the lives of gay men in Indonesia, the world's fourth most populous nation and home to more Muslims than any other country.
Justice After Stonewall is an interdisciplinary analysis of challenges and progress experienced by the LGBT community since the Stonewall riots in 1969.
This provocative book examines the important issues in contemporary debates on sexual orientation-from our various religious beliefs to our stereotypes about homosexuals, from questions about the origin of sexual orientation to the lessons we can learn from history.
This book, the first full-length study of its kind, dares to probe the biggest taboo in contemporary Arab culture with scholarly intent and integrity - female homosexuality.
The Intersectional Athlete Body on Reality TV examines the treatment of women, non-White and queer participants on MTV's The Challenge, a physical competition lauded as 'America's fifth sport', interrogating the treatment of the intersectional body within the reality TV landscape and the influence of professional sports culture.
Backward Glances reveals that the passionate love one woman feels for another occupies a position of unsuspected centrality in contemporary Chinese mass cultures.
The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance.
Sex work is a subject of significant contestation across academic disciplines, as well as within legal, medical, moral, feminist, political and socio-cultural discourses.
Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean> argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s.
This book analyses fifteen years of debate, media narrative, policy documents and artistic production to uncover the way sexual citizenship is reshaped by LGBT asylum.
An intimate portrait of the twentieth-century American poetMay Swenson (19131989) was one of the most important and original poets of the twentieth century.
This original collection of essays explores the work and life choices of Spanish women who, through their writings and social activism, addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity.
The Queer Art of Failure is about finding alternatives-to conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that claims to break new ground but cleaves to conventional archives.
Leo Bersani, known for his provocative interrogations of psychoanalysis, sexuality, and the human body, centers his latest book on a surprisingly simple image: a newborn baby simultaneously crying out and drawing its first breath.
As a clinical psychologist, Jean Baker had always considered herself open-minded and tolerant, but found she wasn't prepared for the revelation that her only two children were both gay.
What can the lived experience of a white, transfemme, queer musician tell us about the intersections of place, queer identity, and embodiment in the late 20th and early 21st century United States?