The College of St George at Windsor Castle was founded by Edward III in 1348 to support the newly created Order of the Garter, and to this day fulfills the same primary purpose.
Following the Spanish conquest of Mexico in the early 1500s, Franciscan, Dominican, and Augustinian friars fanned out across the central and southern areas of the country, founding hundreds of mission churches and monasteries to evangelize the Native population.
'Shop-window, flagship, common ground' views the rich ministry and innovative mission of cathedrals through the novel lens of metaphor; and it offers comparative insights on cathedrals and cathedral-like churches.
The dynamic relationship between art and theology continues to fascinate and to challenge, especially when theology addresses art in all of its variety.
A highly original architectural history of Solomon s Temple and Islam s Dome of the Rock that doubles as a social and cultural history of the region The most extensive study of the interrelated history of two monuments, Solomon s Temple and The Dome of the Rock, drawing on an exhaustive review of all the visual and textual evidence Relayed as a gripping narrative, allowing readers to re-enter and experience the emotions and the visceral reality of the major events in its history Integrates illustration with the text to offer a highly detailed and accurate portrait of the major structures and figures involved in the history of the temple Opens up a fascinating line of questioning into the conventional interpretation of events, particularly Christ s actions in the Temple Reproduces rarely seen detailed drawings of the subterranean passages beneath Temple Mount as part of the British survey in the 19th century
The aim of this study is to provide an architectural history of the medieval fabric of Rochester Cathedral, from its Saxon origins to the time of the dissolution of the monasteries by Henry VIII.
Canterbury Cathedral possesses a unique marble mosaic pavement, dating from the early twelfth century, which has long intrigued scholars and been the subject of speculation and debate.
A highly original architectural history of Solomon s Temple and Islam s Dome of the Rock that doubles as a social and cultural history of the region The most extensive study of the interrelated history of two monuments, Solomon s Temple and The Dome of the Rock, drawing on an exhaustive review of all the visual and textual evidence Relayed as a gripping narrative, allowing readers to re-enter and experience the emotions and the visceral reality of the major events in its history Integrates illustration with the text to offer a highly detailed and accurate portrait of the major structures and figures involved in the history of the temple Opens up a fascinating line of questioning into the conventional interpretation of events, particularly Christ s actions in the Temple Reproduces rarely seen detailed drawings of the subterranean passages beneath Temple Mount as part of the British survey in the 19th century
This book investigates the role of architecture in the construction of sacred experience in ancient Greek, Roman, Jewish, Christian and Byzantine cultures.
In the mid-twentieth century, American Catholic churches began to shed the ubiquitous spires, stained glass, and gargoyles of their European forebears, turning instead toward startling and more angular structures of steel, plate glass, and concrete.
This lavishly illustrated volume presents a comprehensive architectural study of 87 individual temples and sanctuaries built in the Roman East between the end of the 1st century BCE and the end of the 3rd century CE, within a broad region encompassing the modern states of Syria, Lebanon, Israel and Jordan.
Das Kolosseum ist weit mehr als ein antikes Bauwerk – es ist ein Symbol für die Größe und den Ehrgeiz des Römischen Reiches, ein Meisterwerk der Ingenieurskunst und eine Bühne für die Geschichte der Menschheit.
Der Kölner Dom, ein Meisterwerk der gotischen Baukunst und Wahrzeichen der Stadt Köln, zieht jährlich Millionen Besucher aus aller Welt in seinen Bann.
The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture.