Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.
Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.
Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.
Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart's late opera seria La clemenza di Tito.
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart's late opera seria La clemenza di Tito.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career.
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd.
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd.
The Pre-history of 'The Midsummer Marriage' examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett's first mature opera and charts the developments that grew out of that phase.
This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works.
This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works.
The Pre-history of 'The Midsummer Marriage' examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett's first mature opera and charts the developments that grew out of that phase.
The Routledge Handbook to the Music of Alfred Schnittke is a comprehensive study of the work of one of the most important Russian composers of the late 20th century.
The Routledge Handbook to the Music of Alfred Schnittke is a comprehensive study of the work of one of the most important Russian composers of the late 20th century.
Neither Spem in alium, the widely acclaimed 'songe of fortie partes' by Thomas Tallis, nor Alessandro Striggio's forty-part Mass is the largest-scale counterpoint work in Western music.
Neither Spem in alium, the widely acclaimed 'songe of fortie partes' by Thomas Tallis, nor Alessandro Striggio's forty-part Mass is the largest-scale counterpoint work in Western music.
In October 2016, the Swedish Academy finally conceded to a quarter-century's worth of clamorous petitions and sustained lobbying enacted by a chorus of poets, novelists, songwriters, and academics.
French Music in Britain 1830-1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of 'grand opera' and opera comique in London) and the outbreak of the First World War.
French Music in Britain 1830-1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of 'grand opera' and opera comique in London) and the outbreak of the First World War.
The founding in 1777 of the Journal de Paris, France's first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division.
The founding in 1777 of the Journal de Paris, France's first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division.
The Lombardo Story, Guy Lombardo and The Royal Canadians, the bands life and times, by Beverly Fink Cline, is an eBook re-issue of a 1979 book published by Musson Book Co.
