The first major account of the history of reggae, black music journalist Lloyd Bradley describes its origins and development in Jamaica, from ska to rock-steady to dub and then to reggae itself, a local music which conquered the world.
In his page-turning and inspiring first book, legendary songwriter and recording artist Jason Derulo shares his 15 rules for finding success in any pursuit, and invites everyone-especially artists and creators-to start on their path to greatness.
**MiCannes Award Music Book of the Year**The first full-length biography of Mal Evans, the Beatles' beloved roadie, assistant, confidant and friendA towering figure in horn-rimmed glasses, Malcolm 'Mal' Evans was an invaluable member of the Beatles' inner circle.
From the critically acclaimed author Sally Bayley, The Green Lady is a poignant, brilliant exploration of the relationships between children and their teachers.
Oper ist elementar mit Bewegung verbunden: in der dramatischen Entwicklung der Handlung, in der Darstellung auf der Bühne, in der Wanderung der Sujets genauso wie der Operntruppen.
El presente estudio implico concretar los fundamentos teoricos, conceptuales, practicos y didacticos que estan en la base del pensamiento de cinco pedagogos musicales representativos del siglo XX: Edgar Willems, Carl Orff, Emile Jaques-Dalcroze, Zoltan Kodaly y Maurice Martenot; ellos interesan porque sus metodos abarcan todos los aspectos de la educacion musical y recogen el pensamiento en diferentes areas del saber de pensadores y humanistas de la epoca, anticipandose a desarrollos posteriores dados en los campos del constructivismo y la teoria de las inteligencias multiples.
This book evaluates emergent forms of musical virtuosity within American musical cultures during the age of electronic media, a period spanning from 1920—when radio became a household technology and sound recording and playback both gradually became electrified—down to the present.
This book evaluates emergent forms of musical virtuosity within American musical cultures during the age of electronic media, a period spanning from 1920—when radio became a household technology and sound recording and playback both gradually became electrified—down to the present.
Hoy, que esta sobre la mesa y con una condicion de urgencia preguntarse sobre la ensenabilidad de nuestras musicas populares y tradicionales, asi como la influencia secular y aun dominante de las logicas de estudio centroeuropeas, este trabajo de la artista y pedagoga Cindy Gomez Gutierrez nos da una mano de cara anuestra actitud respecto al relacionamiento que nuestros instrumentos debieran tener con la academia.
El presente estudio implico concretar los fundamentos teoricos, conceptuales, practicos y didacticos que estan en la base del pensamiento de cinco pedagogos musicales representativos del siglo XX: Edgar Willems, Carl Orff, Emile Jaques-Dalcroze, Zoltan Kodaly y Maurice Martenot; ellos interesan porque sus metodos abarcan todos los aspectos de la educacion musical y recogen el pensamiento en diferentes areas del saber de pensadores y humanistas de la epoca, anticipandose a desarrollos posteriores dados en los campos del constructivismo y la teoria de las inteligencias multiples.
Für Matthias Huff ist Gospelmusik die wohl größte Bereicherung des Christentums in den letzten Jahrhunderten - und ein Quell faszinierender Geschichten.
Der Name des österreichischen Pianisten Friedrich Gulda (1930–2000) steht, dank eines klaren, schnörkellosen Klavierspiels und einer charismatischen wie polarisierenden Persönlichkeit, für einen der herausragendsten und wirkmächtigsten Vertreter seiner Zunft in der zweiten Hälfte des 20.
No es del interes de esta investigacion describir el instrumento como tal, tampoco sus elementos de construccion, su configuracion, ni hacer un recorrido descriptivo por la musica que se asocia tradicionalmente a su interpretacion o su historia; no se trata de describir el tiple, trabajo que ya se ha realizado en otros espacios, sino su escuela.
World-renowned curator Hans Ulrich Obrist for the first time grants a private view of his life, and his journey towards art and artistsWhen Hans Ulrich was six years old, he was knocked down by a speeding car as he was crossing the street.
This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race.
This book compares the origins of samba, jazz, and the blues, discussing the racial and popular class elements surrounding them and how white middle-class composers gradually appropriated them, in the context of Brazil and the United States, providing invaluable comparative insights about modernity, music, and race.
