The Italian Ars Nova Music: A Bibliographic Guide to Modern Editions and Related Literature is an essential resource for scholars, students, and enthusiasts of Italian Trecento music.
An innovative study of the ways in which theological themes related to earthly and heavenly 'treasures' and Bach's own apparent attentiveness to the spiritual values related to money intertwined in his sacred music.
NOMINATED FOR THE JAZZ JOURNALISTS ASSOCIATION BOOK OF THE YEAR 2021 WINNER OF THE PRESTO JAZZ BOOK OF THE YEAR 2020An articulate, scrupulously researched account based on first-hand information, this book presents Brubeck's contribution to music with the critical insight that it deserves - ***** BBC Music Magazine This is the writing about jazz that we've been waiting for - Mike WestbrookThe sheer descriptive verve, page after page, made me want to listen to every single musical example cited.
The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain.
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides.
This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance.
Despite Dietrich Bonhoeffer’s earlier theological achievements and writings, it was his correspondence and notes from prison that electrified the postwar world six years after his death in 1945.
From different perspectives this book studies the role of Reformation theology in the shaping of Danish society and the social dimensions of Lutheran confessional culture.
The familiar history of jazz music in the United States begins with its birth in New Orleans, moves upstream along the Mississippi River to Chicago, then by rail into New York before exploding across the globe.
A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century.
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova.