In the summer of 2002, I began to chronicle my Daily events on a Major Label recording session with a bidding-war band, an infamous producer, and a seemingly limitless budget.
Die Theorie des Hörens von Hermann von Helmholtz kreist um eine offene Frage: Wie geschieht der Übergang von der physikalischen Schwingung zum wahrgenommenen Klang?
Creative Confidence and Music Production: Overcome Your Insecurities is a practical guide for music producers to tackle self-doubt and navigate the relationship between confidence and creativity, by offering tools to overcome the most common creative blocks.
Creative Confidence and Music Production: Overcome Your Insecurities is a practical guide for music producers to tackle self-doubt and navigate the relationship between confidence and creativity, by offering tools to overcome the most common creative blocks.
This book examines how compression can be understood not only as a digital process enacted through computing, but as a wider economic and political phenomenon that impacts on the ecology of waste, diversity and social inclusivity.
Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business.
Written by a composer long immersed in new and experimental music, this book provides a tour of the music, technologies and people that have transformed how we make, hear and think about sound over the past fifty years.
Play with Sound: Manual for Electronic Musicians and Other Sound Explorers offers a thorough introduction to music technology by centering on curiosity and creativity in the exploration of the fundamentals of sound.
