At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed.
From eighteenth-century copyright law, to current-day copyright issues on the internet, to tomorrow's "e;celestial jukebox"e;-a digital repository of books, movies, and music available on demand-Paul Goldstein presents a thorough examination of the challenges facing copyright owners and users.
