The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The Czech composer Pavel Haas (1899-1944) is commonly positioned in the history of twentieth-century music as a representative of Leos Janacek's compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentration camp of Terezin (Theresienstadt).
Henri Dutilleux (born 1916) is one of France's leading composers, though until recently his music received more attention in the United States than in Europe.
After decades of stagnation during the reign of his father, the 'Barracks King', the performing arts began to flourish in Berlin under Frederick the Great.
On 10 December 1910, Giacomo Puccini's seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City's Metropolitan Opera House.
Kaija Saariaho is internationally recognized as a leading figure in contemporary music, enjoying a well-deserved reputation for works that are both creatively original and of considerable appeal.
Focusing on Messiaen's relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux.
This book is the first extensive guide to the life, music, and writings of Carlos Ch vez (1899-1978), Mexico's most influential musician of the 20th century.
The Panama Canal is a world-famous site central to the global economy, but the social, cultural, and political history of the country along this waterway is little known outside its borders.
For over three decades now, David Byrne has been a leading light in American culture - in popular music, experimental theatre, film, television, fine art, and writing.
Theory for Today's Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today's music student.
By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.
Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century.
Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome and Armenia, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain.
Ouvrage unique en son genre, Le chant des oyseaulx relate cette rencontre artistique entre oiseaux et humains, au confluent de l’ornithologie, de l’écologie, de la musicologie et de la création musicale, en un propos à la fois simple et riche, sérieux et ludique, rigoureux et audacieux, toujours émerveillé, voire enchanté !
Olivier Messiaen: A Research and Information Guide, Second Edition presents researchers with the most significant and helpful resources on Olivier Messiaen, one of the twentieth century's greatest composers.
Barocke Musik – geistliche wie weltliche – wurde im Zuge der Kolonialisierung von Europäern nach Südamerika gebracht und verbreitete sich dort in verschiedenen Kontexten.
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music.
Notes for Clarinetists: A Guide to the Repertoire offers important historical and analytical information about thirty-five of the best-known pieces written for the instrument.
This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd.
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States.
Esteemed by many of his most distinguished contemporaries, including Arnold Schoenberg , Alexander Zemlinsky (1871-1942) was a protege of Brahms and Mahler.
By integrating theoretical approaches to the female voice with the musicological investigation of female singers' practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century.