Bestellnummer: DBV 185-01Koproduktion Bärenreiter und Metzler"Er ist der Mozart des 19ten Jahrhunderts, der hellste Musiker, der die Widersprüche der Zeit am klarsten durchschaut und zuerst versöhnt.
Längst gehört es zum guten Ton, sich über den historischen Stil zu informieren, wenn man Musik einer bestimmten Epoche aufführen möchte – nicht mehr nur bei Spezialisten, sondern unabhängig vom Instrumentarium und quer durch alle Ensembles.
Die Tage autoritärer Alphatiere am Dirigentenpult sind gezählt, denn: Wer heutzutage Leistung will, muss Sinn stiften, motivieren und das Ensemble zur Realisierung eigener, glaubhafter Visionen führen.
Bernadeta Czapraga gibt in diesem Buch einen Überblick über den Wandel der Interpretationen im Zeitraum zwischen 1965 und 2005, indem sie sechs in dieser Zeit entstandene Videoaufnahmen (Yehudi Menuhin, Roberto Michelucci, Gidon Kremer, Frank Peter Zimmermann, Leonidas Kavakos und Anne-Sophie Mutter) zu Aufführungen von Mozarts A-Dur-Violinkonzert zugrunde legt.
This monograph offers a comprehensive study of the topos of the malmariee or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant.
This monograph offers a comprehensive study of the topos of the malmariee or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant.
The principal purpose of topics in musicology has been to identify meaning-bearing units within a musical composition that would have been understood by contemporary audiences and therefore also by later receivers, albeit in a different context and with a need for historically aware listening.
The principal purpose of topics in musicology has been to identify meaning-bearing units within a musical composition that would have been understood by contemporary audiences and therefore also by later receivers, albeit in a different context and with a need for historically aware listening.
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera.
Since its premiere in 1868, Wagner's Die Meistersinger von Nurnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera.
Examines post-colonial issues in Madama Butterfly, the historical background, conflicted representation of the heroine, and controversial reception in Japan.
Examines post-colonial issues in Madama Butterfly, the historical background, conflicted representation of the heroine, and controversial reception in Japan.
Aunque no sea necesario poseer conocimientos musicales para escuchar y sentir una sonata, un concierto, una sinfonía, un cuarteto de cuerdas o una ópera, adquirirlos ayudará sin duda al oyente a gozar más a fondo de su interpretación, tanto en vivo como grabada.
Zeitmae is one of a group of four acknowledged masterpieces composed between 1955 and 1957 that together established Karlheinz Stockhausen as the leading figure in the European avant-garde.
Zeitmae is one of a group of four acknowledged masterpieces composed between 1955 and 1957 that together established Karlheinz Stockhausen as the leading figure in the European avant-garde.
I sing of arms and of a man: his fate had made him fugitive: he was the first to journey from the coasts of Troy as far as Italy and the Lavinian shores.
Described by New York Times critic John Rockwell as "e;one of the best non-famous composers this country has to offer,"e; Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation.
Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues.
The past 50 years have seen a tremendous arts boom in Seattle, which has given the city not only internationally recognized classical music institutions but also great performance halls to showcase their work and that of visiting artists.
In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known.
In 1862, a group of undergraduates at the University of Pennsylvania put the University's colors of red and blue in their buttonholes and gave the first performance of the University of Pennsylvania Glee Club.
Again available in paperback, this definitive work on the genius of Domenico Scarlatti (1685-1757) is the result of twelve years of devoted effort by America's foremost harpsichordist and one of the principal authorities on eighteenth-century harpsichord music.