The life, times, and music of Franz SchubertDuring his short lifetime, Franz Schubert (1797-1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas.
The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women's participation in musical leadership from the nineteenth century to the present.
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted.
The latest volume in the Music Library Association's Index and Bibliography series, Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000, features over 9,000 references to analyses of works by more than 1,000 composers of the nineteenth and twentieth centuries.
Harper aims to provide readers with a deeper, more accurate understanding of Falla's creative process by drawing from a complete array of rare, authentic sources including Falla's own personal library, valuable sketch material, and the more than 20,000 pieces of correspondence maintained in Granada, Spain by the Manuel de Falla Archive.
Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention.
A new look at one of the most important composers of the twentith centuryStravinsky and His World brings together an international roster of scholars to explore fresh perspectives on the life and music of Igor Stravinsky.
A revealing look at French composer and virtuoso Camille Saint-SaensCamille Saint-Saens-perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music-is now being rediscovered after a century of modernism overshadowed his earlier importance.
The classical music of Iraq, known as Iraqi Maqam, features classical and vernacular poetry sung by a virtuoso soloist and accompanied by a small instrumental ensemble.
This book includes biographical information on Carlos Prieto, his contributions to music, as well as a detailed catalog of 72 pieces commissioned and/or dedicated to him.
A groundbreaking study of the Jewish composers and musicians banned by the Third Reich—and the consequences for music worldwide With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity.
Igor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces.
An engrossing new biography of the musical revolutionary who was the world’s first international megastar Hungarian composer Franz Liszt (1811–1886) was an anomaly.
This book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area.
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music.
Chaikovski es, sin duda, uno de los compositores más queridos por los aficionados a la música en todo el mundo, una popularidad que, sin embargo, suele ir acompañada de un difuso conocimiento de su vida, sustentado en lugares comunes y clichés, cuando no en un cierto recelo por parte de ciertos sectores de la crítica, que han acabado por transmitir una imagen distorsionada de su figura.
The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century.
This second selection of studies by Frank D'Accone, again based principally on the documentary evidence, follows the development through the mid 16th century of musical chapels at the Cathedral and the Baptistery of Florence and of musical establishments at the Santissima Annunziata and San Lorenzo.
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts.
The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century.
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts.
This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources.
This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs.
This second selection of studies by Frank D'Accone, again based principally on the documentary evidence, follows the development through the mid 16th century of musical chapels at the Cathedral and the Baptistery of Florence and of musical establishments at the Santissima Annunziata and San Lorenzo.
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy.
This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources.
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy.
This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs.
Basado en el ballet de Piotr Ilich Tchaikovsky, este cuento reúne todos los elementos para que una historia de amor sea inolvidable: engaño, traición, alguien que se interpone entre los amantes y, finalmente, un sacrificio trágico pero esperanzador.
Breaking down walls between genres that are usually discussed separately-classical, jazz, and popular-this highly engaging book offers a compelling new integrated view of twentieth-century music.
This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society.
This lively history immerses the reader in San Francisco's musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923).
American organist David Craighead's influence in the United States and abroad is widespread and extensive: 37 years as professor of organ at the Eastman School of Music, 48 years as church organist at St.
