A new and popular biography that will appeal to all those who love the music of Wolfgang Amadeus Mozart, and who would like to know more about his operas and the life he lived.
No matter how much you think you know about classical music, you'll find plenty of baffling questions and surprising answers inside - all carefully compiled by Richard Baker OBE.
Witold Lutoslawski (1913-1994), who claimed that 'talking was not his speciality', emerges during a series of conversations with the music critic Tadeusz Kaczynski as a most lucid and articulate commentator, not only on his own compositions, but on every aspect of twentieth-century music and musicianship.
Popular music may be viewed as primary documents of society, and America's Musical Pulse documents the American experience as recorded in popular sound.
From the 1920s to the 1940s, Leo Sowerby created popular secular works while his sacred compositions led admirers to call him the "e;dean of American church musicians.
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music-the "e;classical"e; music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal.
In a series of powerful strokes, the music of Beethoven's last years redefined his legacy and enlarged the realm of experience accessible to the creative imagination.
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music-the "e;classical"e; music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal.
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.