Art music, orchestral and formal music

Carola Nielinger-Vakil examines selected works by Nono in the historical context of Italy and Germany after 1945.

This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel''s compositional practice.

Essays by leading Mozart scholars explore the composer''s popular works, biography and reception, appealing to scholars and Mozart-lovers alike.

Essays by leading Mozart scholars explore the composer''s popular works, biography and reception, appealing to scholars and Mozart-lovers alike.

This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel''s compositional practice.

The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.

Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.

This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.

The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.

Penetrating, innovative analyses of numerous compositions by Chopin, integrating Schenkerian principles and a fresh perspective on harmony.

This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.

This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.

Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.

This book investigates the literary representation of music in the Georgian novel against its musical, aesthetic and cultural background.

Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.

London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.

London operatic adaptations have been maligned, but this comprehensive study demonstrates their importance to theatre, opera and canon formation.

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner''s Ring cycle to present-day Hollywood film music.

This collection represents current research on Birtwistle''s music, reflecting the diversity of his work through a wide range of perspectives.

This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance.

This collection represents current research on Birtwistle''s music, reflecting the diversity of his work through a wide range of perspectives.

Thomas Peattie considers the theatrical dimension of Mahler''s reinvention of the symphony at the turn of the twentieth century.

Through forty-five essays by leading scholars, this Cambridge History brings fifteenth-century music to life for both specialists and general readers.

Ralph P.

The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner''s Ring cycle to present-day Hollywood film music.

Jennifer Bain contextualizes the revival of Hildegard''s music, engaging with intersections amongst local devotion and political, religious, and intellectual activity.

This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance.

Jennifer Bain contextualizes the revival of Hildegard''s music, engaging with intersections amongst local devotion and political, religious, and intellectual activity.

Thomas Peattie considers the theatrical dimension of Mahler''s reinvention of the symphony at the turn of the twentieth century.

Through forty-five essays by leading scholars, this Cambridge History brings fifteenth-century music to life for both specialists and general readers.

The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.

Ralph P.

A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.

This accessible introduction is the first English-language book in a generation to cover program music as idea and repertoire.

Inge van Rij''s book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.

A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.

Ruth I.

This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

Ruth I.

This accessible introduction is the first English-language book in a generation to cover program music as idea and repertoire.

Inge van Rij''s book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.

The Monstrous New Art reveals the depth of medieval composers'' engagement with monstrous and hybrid creatures and ideas.

This book explores the historical-cultural interactions between French concert music and American jazz across 1900–65, from both perspectives.

Karen Henson explores a wealth of new historical material about singers and opera performance in the late nineteenth century.

The Monstrous New Art reveals the depth of medieval composers'' engagement with monstrous and hybrid creatures and ideas.

This book explores the historical-cultural interactions between French concert music and American jazz across 1900–65, from both perspectives.

Karen Henson explores a wealth of new historical material about singers and opera performance in the late nineteenth century.

Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.