This collection of 30 well-loved original compositions and arrangements for piano presents a selection of pieces by Wolfgang Amadeus Mozart that will delight any pianist.
Designed for both the practicing choral director and the choral methods student, this is a compact and comprehensive overview of the many teaching methods, strategies, materials, and assessments available for choral sight-singing instruction.
From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village's Caf Society in the '40s, to their 1974 Grammy-winning collaboration on "e;Loves Me Like a Rock,"e; the Dixie Hummingbirds have been one of gospel's most durable and inspiring groups.
Lyric diction is a portal to powerful and meaningful vocal performance because diction enables singers to communicate the vision of both the poet and the composer.
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition.
Franz Schuberts Streichquartett, eines der bedeutendsten Kammermusikwerke der Romantik, berührt seit Generationen durch seine emotionale Tiefe und thematische Vielschichtigkeit.
The Campaign Choirs Network is a loose affiliation of like-minded choirs across the UK sharing a belief in a better world for all and dedicated to taking action by singing about it; the Campaign Choirs Writing Collective is a part of that network.
Die Trauer um Friedrich den Großen hallte weit über die Grenzen Preußens hinaus und inspirierte den begnadeten Komponisten Johann Friedrich Reichardt zu einem Werk von außergewöhnlicher Tiefe und Ausdruckskraft: der Trauer-Kantate auf den Tod des preußischen Königs.
Lyric diction is a portal to powerful and meaningful vocal performance because diction enables singers to communicate the vision of both the poet and the composer.
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized.
Camille Saint-Sans is a memorable figure not only for his successes as a composer of choral and orchestral works, and the eternally popular opera Samson et Dalila, but also because he was a keen observer of the musical culture in which he lived.
Multivocality frames vocality as a way to investigate the voice in music, as a concept encompassing all the implications with which voice is inscribed-the negotiation of sound and Self, individual and culture, medium and meaning, ontology and embodiment.
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar.
