Esta obra busca aportar una amplia gama de posibilidades musicales con arreglos de obras de repertorio latinoamericano, concebidos para enriquecer la experiencia dentro de las agrupaciones corales desde lo musical y lo humano, inspirados no solo desde las necesidades vocales, técnicas e interpretativas, sino que buscan exaltar la variedad cultural que caracteriza a nuestros pueblos, para así rescatar la identidad y riqueza desu folclor.
Ontario-born jazz pianist Lou Hooper (1894-1977) began his professional career in Detroit, accompanying blues singers such as Ma Rainey at the legendary Koppin Theatre.
Ontario-born jazz pianist Lou Hooper (18941977) began his professional career in Detroit, accompanying blues singers such as Ma Rainey at the legendary Koppin Theatre.
Brahms löste sich von vielem, als er "Ein deutsches Requiem" schrieb: von der traditionellen liturgischen Form, vom üblichen lateinischen Text, von der inhaltlichen Ausrichtung der Missa pro defunctis.
Das Repertoire für Chor ist äußerst facettenreich – es variiert je nach Epoche und persönlichem Stil des Komponisten, je nach Besetzung und je nach dem, ob geistliche oder weltliche Texte gesungen werden.
Brahms löste sich von vielem, als er "Ein deutsches Requiem" schrieb: von der traditionellen liturgischen Form, vom üblichen lateinischen Text, von der inhaltlichen Ausrichtung der Missa pro defunctis.
Die Bibel ist ein Basistext der europäischen Musikgeschichte: Sie war und ist ein "Gebrauchsbuch" für Komponisten, Musiker und Textautoren, sie hat Künstler aller Disziplinen, Länder und Zeiten schöpferisch inspiriert, biblische Stoffe prägen die Kultur vieler Menschen.
Assembly Song Companion to All Creation Sings will be an essential reference resource for church musicians, pastors, and others who help plan assembly song.
Richard Wagner is mainly known as a music dramatist, but his piano pieces are also worth discovering and allow the voice of the dramatist to be heard in echoes.
Choral Voices: Ethnographic Imaginations of Sound and Sacrality is about sacred and secular choirs in Goa and Shillong across churches, seminaries, schools, auditoriums, classrooms, reality TV shows, and festivals.
Choral Voices: Ethnographic Imaginations of Sound and Sacrality is about sacred and secular choirs in Goa and Shillong across churches, seminaries, schools, auditoriums, classrooms, reality TV shows, and festivals.
The ability to bring meaning to music notation without the assistance of an accompanist playing choral parts is a requisite skill on a musician's journey to self-reliance and full artistic expression.
While there are many similarities between solo and choral singing, they are not the same discipline, and it is important to realize the different approaches necessary for each.
An eye-opening reexamination of Handel’s beloved religious oratorio Every Easter, audiences across the globe thrill to performances of Handel’s “Hallelujah Chorus,” but they would probably be appalled to learn the full extent of the oratorio’s anti-Judaic message.
This book brings to light the choral works of three contemporary British women composers: Elisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994), and Thea Musgrave (1928- ).
Assembly Song Companion to All Creation Sings will be an essential reference resource for church musicians, pastors, and others who help plan assembly song.
Como es tradición en la literatura pianística, los estudios ofrecen retos técnicos y expresivos de varios tipos y se concentran sobre aspectos específicos y problemáticos de la ejecución musical del instrumento.
Este manual brinda herramientas básicas para el uso del piano como instrumento complementario; se encuentra estructurado pensando en estudiantes que no poseen conocimientos de teclado, o que apenas tienen bases incipientes o poco desarrolladas.
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging-including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music.
"De ser prácticamente unos cantantes marginales y vistos con desdén hace no más de 30 años, los contratenores han pasado a convertirse en auténticas estrellas seguidas con fervor por el público.
Bis heute ist Rudolf Mauersberger (1889-1971) in erster Linie durch seine kirchenmusikalische Tätigkeit, insbesondere als Dresdner Kreuzkantor in den Jahren 1930-1971, bekannt.
This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles.