Ecologies of Resonance in Christian Musicking^ Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities.
Ecologies of Resonance in Christian Musicking^ Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities.
Say the words "e;evangelical worship"e; to anyone in the United States -- even if they are not particularly religious -- and a picture will likely spring to mind unbidden: a mass of white, middle-class worshippers with eyes closed, faces tilted upward, and hands raised to the sky.
Say the words "e;evangelical worship"e; to anyone in the United States -- even if they are not particularly religious -- and a picture will likely spring to mind unbidden: a mass of white, middle-class worshippers with eyes closed, faces tilted upward, and hands raised to the sky.
The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles.
The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles.
The Hispanic rite, a medieval non-Roman Western liturgy, was practiced across the Iberian Peninsula for over half a millennium and functioned as the most distinct marker of Christian identity in this region.
The Hispanic rite, a medieval non-Roman Western liturgy, was practiced across the Iberian Peninsula for over half a millennium and functioned as the most distinct marker of Christian identity in this region.
This is a study of the transplantation of a creed devised by and for African Americans--the African Methodist Episcopal Church--that was appropriated and transformed in a variety of South African contexts.
The Exultet rolls of southern Italy are parchment scrolls containing text and music for the blessing of the great Easter candle; they contain magnificent illustrations, often turned upside down with respect to the text, The Exultet in Southern Italy provides a broad perspective on this phenomenon that has long attracted the interest of those interested in medieval art, liturgy, and music.
The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond.
This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars.
Bach's cantatas are among the highest achievements of Western musical art, yet studies of the individual cantatas that are both illuminating and detailed are few.
From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village's Cafe Society in the '40s, to their 1974 Grammy-winning collaboration on "e;Loves Me Like a Rock,"e; the Dixie Hummingbirds have been one of gospel's most durable and inspiring groups.
A historical and theological re-evaluation of the polemical writings of Athanasius of Alexandria (bishop 328-73), who would become known to later Christian generations as a saint and a champion of orthodoxy, and as the defender of the original Nicene Creed of 325 against the `Arian heresy'.
This volume, the first in a major new series which will provide authoritative texts of key non-canonical gospel writings, comprises a critical edition, with full translations, of all the extant manuscripts of the Gospel of Mary.
Though the monastic writings of St John Cassian have been enduringly popular, his reputation (not least as a theological author) has been seriously compromised.
Eusebius' magisterial Praeparatio Evangelica (written sometime between AD 313 and 324) offers an apologetic defence of Christianity in the face of Greek accusations of irrationality and impiety.
Philip Burton explores Augustine's treatment of language in his Confessions - a major work of Western philosophy and literature, with continuing intellectual importance.
Deification in the Greek patristic tradition was the fulfilment of the destiny for which humanity was created - not merely salvation from sin but entry into the fullness of the divine life of the Trinity.
Now available in English for the first time, Augustine's Commentary on Galatians is his only complete, formal commentary on any book of the Bible and offers unique insights into his understanding of Paul and of his own task as a biblical interpreter.
The works of Ambrosiaster, a Christian writing in Rome in the late fourth century, were influential on his near contemporaries and throughout the Middle Ages.
A historical and theological re-evaluation of the polemical writings of Athanasius of Alexandria (bishop 328-73), who would become known to later Christian generations as a saint and a champion of orthodoxy, and as the defender of the original Nicene Creed of 325 against the `Arian heresy'.
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar.
The two-volume work The New Testament and the Apostolic Fathers offers a comparative study of two collections of early Christian texts: the New Testament; and the texts, from immediately after the New Testament period, which are conventionally referred to as the Apostolic Fathers.
The two-volume work The New Testament and the Apostolic Fathers offers a comparative study of two collections of early Christian texts: the New Testament; and the texts, from immediately after the New Testament period, which are conventionally referred to as the Apostolic Fathers.
Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music.
