Music Under the Soviets (1955) examines the concept of Soviet music, its special characteristics and its differences from the musical tradition of the West.
This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern.
Hailed as a "e;quiet masterpiece"e; upon release, Yo La Tengo's And Then Nothing Turned Itself Inside-Out proposed a radical new future for rock music.
In Akkorde ohne Applaus gewahrt Matthias Hartwig alias Jimmy de la Mar einen ehrlichen und fesselnden Einblick in das Leben eines Musikers jenseits des Rampenlichts.
Based on previously unpublished documents, Frank D'Accone sets the background for the musical efflorescence that occurred in Florence in the later 15th century and the emergence in the early 16th century of a new Florentine school of composers.
In Made in NuYoRico, Marisol Negron tells the cultural history of salsa, tracing the music's Nuyorican meanings over a fifty-year period that begins with the establishment of Fania Records in 1964 and how it capitalized on salsa's Nuyorican imaginary to cultivate a global audience.
Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century.
A través del estudio de la música tropical, Juan Sebastián Ochoa realiza un ejercicio de construcción de memoria desde un enfoque interdisciplinar, donde no solo estudia su auge en la Medellín de los sesenta, si no, cómo la llegada de medios masivos de comunicación influenció la sociedad colombiana.
Der inzwischen fünfte Gedankenband von Lutz Meier bietet eine gewohnt pointierte Mischung aus philosophischem Essayismus, genauer Alltagsbeobachtung sowie eine Lust an Sprache und ihrem Spiel.
Bangtan Remixed delves into the cultural impact of celebrated K-Pop boy band BTS, exploring their history, aesthetics, fan culture, and capitalist moment.
