Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.
Great Sacred Music, a free lunchtime event of spoken word and music for choirs and congregations, is a regular feature of the life at witness of St Martin-in-the-Fields.
Big Road Blues by David Evans delves into the often overlooked processes of folk blues tradition and composition, offering a groundbreaking study that reveals the intricate dynamics behind the evolution of this influential genre.
In Carol Zemel's insightful reinterpretation of Van Gogh's work and career, the artist is seen as a determined modern professional instead of the tortured romantic hero that legend has given us.
Intertextual, passionate and personal throughout, Crowded House's Together Alone is a key addition to the surprisingly limited range of scholarship on one of Australasia's most successful and adored bands.
While much has been said about the nostalgia and historic references of Daft Punk's final album, Random Access Memories, this book reveals its ambition and future-focus, and claims these aspects do not necessarily contradict.
Culturally Responsive Teaching in a High School Percussion Ensemble: Validating Immigrant Identities addresses themes of immigration, identity, and culturally responsive teaching in music education using a deep case study of Brazilian samba music in the context of a high school percussion ensemble.
The Concert Composer's Business Handbook is written for composers of original music-mostly or completely within the world of concert or classical music-as a one-stop resource of information on earning income from music that they write.
The Concert Composer's Business Handbook is written for composers of original music-mostly or completely within the world of concert or classical music-as a one-stop resource of information on earning income from music that they write.
Julius Korngold, critic at the highly influential newspaper Neue Freie Presse, was close to and supportive of Gustav Mahler and, for the first time, essays on the man and his music are made available in English.