Music Under the Soviets (1955) examines the concept of Soviet music, its special characteristics and its differences from the musical tradition of the West.
This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern.
In Akkorde ohne Applaus gewahrt Matthias Hartwig alias Jimmy de la Mar einen ehrlichen und fesselnden Einblick in das Leben eines Musikers jenseits des Rampenlichts.