Teaching Strings in Today's Classroom: A Guide for Group Instruction assists music education students, in-service teachers, and performers to realize their goals of becoming effective string educators.
A compact and authoritative survey of the cello, examining its history, repertory, teaching methods, technical developments and distinguished cellists.
Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume.
First published in 1890, this volume contains a detailed account of the history of the violin, exploring its fascinating history and evolution with reference to notable designers and makers from England, Ireland, and Scotland.
Come si fa a imparare la tastiera della chitarra in modo tale da poter suonare melodie, accordi,assoli senza pensarci su, e che vadano sempre di pari passo a ogni stile immaginabile?
To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions.
Jazz Guitar Styles is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the "e;classic"e; style of swing-era guitar.
This high-quality reproduction of the original music scores features wide margins and clear note heads, making it ideal for following the music and a fantastic addition to music collections.
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
The beginner's guide to learning the violin for any musical style Violin For Dummies helps you teach yourself to play the violin, even if you've never read a note of music.
The Russian school of violin playing produced many of the twentieth century's leading violinists - from the famed disciples of Leopold Auer such as Jascha Heifetz, Nathan Milstein, and Mischa Elman to masters of the Soviet years such as David Oistrakh and Leonid Kogan.
';A hot-rod joy ride through mid-20th-century American history' (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar's amplified soundLeo Fender and Les Pauland their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.
To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions.
In this lively collection of interviews, storied music writer Jas Obrecht presents a celebration of the world's most popular instrument as seen through the words, lives, and artistry of some of its most beloved players.
In the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice.
This is the first full-length biography in English of Giovanni Battista Viotti (1755-1824), one of the great violinist-composers in the history of music, and arguably the most influential violinist who ever lived.
Find out why Chet Atkins had a Gretsch guitar named after him, why The Who's John Entwistle called his favourite guitar "e;Frankenstein"e;, and how John Lennon elevated the Rickenbacker 325 to one of the most desirable guitar brands of the 1960's.
*A RADIO 4 BOOK OF THE WEEK*'Utterly enthralling - a beautifully-written voyage of discovery that takes us deep into the heart of music-making' Deborah MoggachFrom the moment she hears Lev's violin for the first time, Helena Attlee is captivated.
"e;The History and Design of the Violin Bow"e; is a collection of vintage articles on the subject of the violin, with a particular focus on the bridge.
Ganz gleich was Sie als Gitarrist spielen wollen, Akkorde sollten Sie auf jeden Fall beherrschen: Ob Sie mit einer Band auftreten, auf Familienfesten und am Lagerfeuer Gesang begleiten, einfach nur gerne für sich selbst spielen oder auch eigene Songs komponieren.
Achieving Musical Success in the String Classroom describes a fully pragmatic pedagogical approach toward developing complete musicianship in beginning through advanced level string players by incorporating the ideas of Mimi Zweig, Paul Rolland, and Shinichi Suzuki.
