1957 nahmen polnische Komponisten erstmals an den berühmten Darmstädter Ferienkursen teil, nachdem sie jahrelang von der musikalischen Entwicklung des Westens isoliert gewesen waren.
Unter dem Pseudonym La Mara veröffentlichte die aus Leipzig stammende Marie Lipsius im Herbst 1867 ihre ersten Artikel: biographische Skizzen über Robert Schumann, Frédéric Chopin und Franz Liszt.
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
Innovation in Music: Cultures and Contexts is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
Innovation in Music: Cultures and Contexts is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
In a time when music streaming has become the dominant mode of consuming music recordings, this book interrogates how users go about listening to music in their everyday lives in a context where streaming services are focused on not only the circulation of music for users but also the circulation of user data and attention.
In a time when music streaming has become the dominant mode of consuming music recordings, this book interrogates how users go about listening to music in their everyday lives in a context where streaming services are focused on not only the circulation of music for users but also the circulation of user data and attention.
Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space.
Musik vermag Emotionen freizusetzen und Gemeinschaft zu stiften, weshalb sie im Laufe der Musikgeschichte in den Dienst unterschiedlichster Identitätskonstruktionen gestellt werden konnte.
Franz Martin Olbrisch, geboren 1952 in Mülheim/Ruhr, teilt seine Werke in Orchester- und Ensemblewerke, Kammermusik und Solostücke, Tape Music, Werke mit visuellem Anteil und Gruppenarbeiten ein.
Franz Martin Olbrisch, geboren 1952 in Mülheim/Ruhr, teilt seine Werke in Orchester- und Ensemblewerke, Kammermusik und Solostücke, Tape Music, Werke mit visuellem Anteil und Gruppenarbeiten ein.
This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010).
This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010).
In dieser Monographie zu Richard Strauss' Die schweigsame Frau werden erstmals sämtliche überlieferten Quellen erschlossen und so differenzierte Einblicke in die Entstehungsgeschichte der Oper gegeben.
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space.
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space.
Das Buch entführt den Leser auf eine faszinierende Reise durch die facettenreiche Welt der Musik, von ihren Ursprüngen bis zu ihrer vielfältigen Entwicklung.
This book challenges the dominant expertise professionalism rationale for music education by responding to the call to develop 'ecological awareness' at a time when all professions have a moral obligation to place sustainable and interdependent life at the center.
This book challenges the dominant expertise professionalism rationale for music education by responding to the call to develop 'ecological awareness' at a time when all professions have a moral obligation to place sustainable and interdependent life at the center.
An indispensable study of the music of Altai-Sayan peoples Based on more than twenty years of collaborative research, Carole Pegg's long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia's southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world.
Werner Reinhart (1884–1951) war kein "Sponsor" oder "Drittmittelgeber" im heutigen Sinn, sondern er entsprach dem klassischen Typus eines altruistischen Mäzens und machte Winterthur und die Villa Rychenberg vor etwa 100 Jahren zu einem kulturellen Zentrum.
Die vorliegende Notationskunde ist aus der Unterrichtstätigkeit der Autorin an der Schola Cantorum Basiliensis, Hochschule für Alte Musik in Basel, hervorgegangen.
