An indispensable study of the music of Altai-Sayan peoples Based on more than twenty years of collaborative research, Carole Pegg's long-awaited participatory ethnography explores how Indigenous nomadic peoples of Russia's southern Siberian republics (Altai, Khakassia, Tyva) sound multiphonies of place in a post-Soviet global world.
Werner Reinhart (1884–1951) war kein "Sponsor" oder "Drittmittelgeber" im heutigen Sinn, sondern er entsprach dem klassischen Typus eines altruistischen Mäzens und machte Winterthur und die Villa Rychenberg vor etwa 100 Jahren zu einem kulturellen Zentrum.
Die vorliegende Notationskunde ist aus der Unterrichtstätigkeit der Autorin an der Schola Cantorum Basiliensis, Hochschule für Alte Musik in Basel, hervorgegangen.
Werner Reinhart (1884–1951) war kein "Sponsor" oder "Drittmittelgeber" im heutigen Sinn, sondern er entsprach dem klassischen Typus eines altruistischen Mäzens und machte Winterthur und die Villa Rychenberg vor etwa 100 Jahren zu einem kulturellen Zentrum.
Al presentar este método de bandoneón a los que cultiven este instrumento no quiero menospreciar los demás métodos publicados, sino he buscado después de haber hecho un estudio concienzudo del mismo, la forma mas clara y efi- caz de poder inculcar en el alumno, mi práctica de enseñanza la que resultara por demás provechosa, dado el acabado perfeccionamiento a que ha llegado al publicar el presente método.
In the past fifty years, Oman has undergone significant political, economic, and social transformations, with music playing a key role in the country's cultural development.
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality.
Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space.
This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.
Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques.
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality.
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.
Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques.
