Written by an experienced drummer and philosopher, Groove is a vivid and exciting study of one of music's most central and relatively unexplored aspects.
Described as the perfect fusion of poetry and garage band rock and roll (the original concept was "e;rock and Rimbaud"e;), Horses belongs as much to the world of literary and cultural criticism as it does to the realm of musicology.
The story of the Minutemen has been told before (Our Band Could Be Your Life, We Jam Econo), but this book focuses purely on their music - the punk ethic and the remarkable, enduring songs that comprise this, their greatest achievement.
An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential.
On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'.
Released when ELP and Elton John were plodding from one packed stadium to the next, Radio City was a radical album influenced by records that were already deemed oldies and yet sounding like a lean electrical jolt from the future.
Roger Scruton first addressed this topic in his celebrated book The Aesthetics of Music (OUP) and in this new book he applies the theory to the practice and examines a number of composers and musical forms.
Stephen Catanzarite takes a close look at what many consider to be U2's most fully formed album through the prisms of religion, politics, spirituality, and culture, illuminating its previously unexplored depths, arguing that it's a concept album about love and the fall of man.
It has been sixty years since Rock 'n' Roll exploded into the mainstream, yet we remain limited in our understanding of how its bawdy excesses absorbed into the annals of mass popularity in such a short amount of time.
On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture.
In the fall of 1980 Richard and Linda Thompson (of Fairport Convention fame) had recently been dumped from their record label and were on the verge of divorce.
The second compendium of extracts from Continuum's acclaimed and successful 33 1/3 series, Volume 2 features 20 sharp, savvy and very different writers' takes on albums by Neutral Milk Hotel, Sonic Youth, My Bloody Valentine, David Bowie, the Pixies, the Beastie Boys, Nirvana, R.
Released in 1979, AC/DC's Highway To Hell was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980.
For almost four decades, Bruce Springsteen's music has directly inspired, influenced, and uplifted millions of devoted fans, who hold a special place in their hearts and minds for his work.
When the Motor City 5 stormed the stage, the band combined the kinetic flash of James Brown on acid with the raw musical dynamics of the Who gone berserk.
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue.
A fully illustrated oral history of the Magnetic Fields' 1999 triple album, 69 Love Songs - an album that was afforded "e;classic"e; status by many almost as soon as it was released.
"e;Music From Big Pink is a moving book that succeeds not just in vividly evoking its time and place but in distilling one young man's cliched and minor destiny into something approaching tragedy.
Early '70s Radio focuses on the emergence of commercial music radio "e;formats,"e; which refer to distinct musical genres aimed toward specific audiences.
Released in 1979, AC/DC's Highway To Hell was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980.
Whether it's a song by Brahms or by the Boss, a serenade by Mozart or a ballet by John Harbison, music radiates a diverse spectrum of meaningful signs, hidden in plain hearing.
In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through with a sequence of thematic entries on key concepts, strategies, and contexts (noise, leisure, process, the abject, information, and repetition).
