In this comprehensive guide, Brixen takes the reader through the complex and confusing aspects of audio metering, imparting the knowledge and skills needed to utilize optional signal levels and produce high-quality audio.
The first edition of Ernst Kurth's Musikpsychologie appeared in 1931, and was regarded by contemporaneous psychologists as no less than the foundation for a new systematic approach to the perception and cognition of music.
The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing.
Mamie Smith's pathbreaking 1920 recording of "e;Crazy Blues"e; set the pop music world on fire, inaugurating a new African American market for "e;race records.
This book deals with the complex cognitive processes involved in understanding two "e;horizontal"e; aspects of music perception, melody and rhythm, both separately and together.
William Kinderman's detailed study of Parsifal, described by the composer as his "e;last card,"e; explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career.
The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life.
Dancehall: its simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community.
Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology.
The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe.
Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts.
A silent clapboard church on a barren Arctic landscape is more than just a place of worship: it is a symbol that can evoke fraught reactions to the history of Christian colonization.
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound.
Paul Wranitzky, ein Zeitgenosse von Größen wie Haydn, Mozart und Beethoven, erlebte in seiner Zeit großen Ruhm, geriet jedoch im Laufe der Geschichte fast in Vergessenheit.
In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate.
This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory.
Der Komponist Max Reger hat nicht nur manche Zeitgenossen in Nervosität versetzt wie insbesondere die Vertreter der »Münchner Schule« während seines Intermezzos an der hiesigen Akademie der Tonkunst, sondern auch aktuell löst sein Name mitunter Unruhe aus, wenn die Divergenz zwischen dem ohne Weiteres ihm zugebilligten Rang als Vertreter der Jahrhundertwendenmoderne und seiner bis heute dennoch merkwürdig »gebremsten« Rezeption bewusst wird.
In the context of music therapy, microanalysis is the detailed analysis of that short period of time during a music therapy session during which some kind of significant change takes place.
A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception.
This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts.