Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business.
Play with Sound: Manual for Electronic Musicians and Other Sound Explorers offers a thorough introduction to music technology by centering on curiosity and creativity in the exploration of the fundamentals of sound.
Jazz is a music of journeys, migration, and global mobility - from the legacies of the transatlantic slave trade to global travels for escape, exchange, or putting down roots.
Vocal, Instrumental, and Ensemble Learning and Teaching is one of five paperback books derived from the foundational two-volume Oxford Handbook of Music Education.
Charles-Valentin Alkan was a pianist and composer of unparalleled brilliance, whose intricate compositions and extraordinary skill at the keyboard earned him the admiration of contemporaries such as Franz Liszt and Frédéric Chopin.
The Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country.
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives illuminates practices at the forefront of modern music-making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.
From recent decades' digitization have emerged a myriad of techniques for mapping musical life, identifying patterns in sound or musico-cultural practices, and compiling labels, names, tags, and classes on an unprecedented scale.
Charles Frederick Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of duree, revealing his "e;revolution"e; in musical time.
Descubre el aclamado "Curso completo de solfeo, Tomo 1" de Gerónimo Baqueiro Foster, un método clásico y fundamental adoptado por los principales conservatorios de música de habla hispana.
Written by a composer long immersed in new and experimental music, this book provides a tour of the music, technologies and people that have transformed how we make, hear and think about sound over the past fifty years.
As issues of climate and ecology become ever more important, Christian communities are increasingly looking for appropriate ways to respond to the current crisis in their worship and liturgy.
Giuseppe Verdi war weit mehr als nur ein Komponist – er war ein musikalischer Visionär, dessen Werke die italienische Oper revolutionierten und tief mit den Freiheits- und Einheitsbestrebungen Italiens verwoben waren.
From recent decades' digitization have emerged a myriad of techniques for mapping musical life, identifying patterns in sound or musico-cultural practices, and compiling labels, names, tags, and classes on an unprecedented scale.
In August 1922 the Viennese composers Rudolf Réti and Egon Wellesz organized International Chamber Music Performances at the Mozarteum – and Béla Bartók, Paul Hindemith, Darius Milhaud, Ethel Smyth, Anton Webern and many other composers from fifteen countries gathered under the protectorate of the co-founder of the Salzburg Festival, Richard Strauss, to establish the first international peace project in music after the First World War.
Antonio Vivaldi, bekannt als der „rote Priester“ von Venedig, war mehr als nur ein Komponist – er war ein visionärer Musiker, der die Barockmusik revolutionierte.
This book examines how compression can be understood not only as a digital process enacted through computing, but as a wider economic and political phenomenon that impacts on the ecology of waste, diversity and social inclusivity.
