This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts.
WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONSThe Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music.
Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance.
Arguably one of the most influential and revered figures in contemporary music theory, David Lewin (1933-2003) revolutionized the field through his work on transformational theory and theoretical methodology.
Drawing upon the past two decades of burgeoning literature in philosophy of music, this study offers a comprehensive, critical analysis of what is entailed in performance interpretation.
The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807-1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy.
Werner Reinhart (1884–1951) war kein "Sponsor" oder "Drittmittelgeber" im heutigen Sinn, sondern er entsprach dem klassischen Typus eines altruistischen Mäzens und machte Winterthur und die Villa Rychenberg vor etwa 100 Jahren zu einem kulturellen Zentrum.
Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science has traditionally focused on a visual model.
In the course of the nineteenth century, four-hand piano playing emerged across Europe as a popular pastime of the well-heeled classes and of those looking to join them.
This book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification.
Originally published in 2003, Hans Keller and the BBC is a vivid portrait of the changing face of British broadcasting seen through the work of one of its most significant personalities.
In the first book to examine the overlooked relationship between musical improvisation and philosophical hermeneutics, Sam McAuliffe asks: what exactly is improvisation?
The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history.
Sonic Identity at the Margins convenes the interdisciplinary work of 17 academics, composers, and performers to examine sonic identity from the 19th century to the present.
The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.
Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music.
Subversive Sounds probes New Orleans's history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form-jazz.
A performance culture of illness and wellness In southern Uganda, ritual healing traditions called kusamira and nswezi rely on music to treat sickness and maintain well-being.