In Socialism Now: Singing Activism after Yugoslavia, Ana Hofman embarks on a captivating journey through singing, songs, and other cultural expressions to trace the recent recuperation of socialist ideas and experiences in the post-Yugoslav context.
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "e;European"e; and "e;music"e; become linked together?
Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Universite Paris-Sorbonne and the Universite de Montreal, originally published in French.
Daring to Care with Music Education offers a practical resource and reflective guide for music educators seeking to support their students' motivation and musicianship through intentional connection and care.
Processual Tonality and the Psychoacoustics of Chromaticism presents a theory of how chromaticism in late nineteenth- and early twentieth-century European and North American music affects the ways in which we hear, interpret, and process pitch relationships.
Processual Tonality and the Psychoacoustics of Chromaticism presents a theory of how chromaticism in late nineteenth- and early twentieth-century European and North American music affects the ways in which we hear, interpret, and process pitch relationships.
The present study examines various ways in which Bakhtin's literary thought might be applied to Shostakovich's music, addressing a range of established music-theoretical methodologies located within the broader context of Bakhtinian narrative theory.
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to this sound-based definition.
There is compelling evidence that music can enhance parental wellbeing, yet to date there have been few attempts to bring together current endeavours in the field.
There is compelling evidence that music can enhance parental wellbeing, yet to date there have been few attempts to bring together current endeavours in the field.
The notion of care is at times misunderstood in the context of music education--equated simply with kindness or associated with lowered expectations--and is often dismissed without consideration of its full value to music learning.
The notion of care is at times misunderstood in the context of music education--equated simply with kindness or associated with lowered expectations--and is often dismissed without consideration of its full value to music learning.
Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theory's continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty.
Through provisional, idiosyncratic, and non-normative listening practices, Queer Ear: Remaking Music Theory counters music theory's continuing tendencies towards rationality, unity, unilinearity, teleology, and logical certainty.
Underpinned by author John Rink's internationally acclaimed scholarship and experience as a musician, this book addresses fascinating topics in the field of musical performance studies concerning the history, analysis and psychology of music, as well as artistic research.
Coros y Danzas explores how women of the early Franco regime adapted musical folklore and Spanish nationalism according to different political circumstances.
Coros y Danzas explores how women of the early Franco regime adapted musical folklore and Spanish nationalism according to different political circumstances.
Exploring Musical Spaces is a comprehensive synthesis of mathematical techniques in music theory, written with the aim of making these techniques accessible to music scholars without extensive prior training in mathematics.
News media reporting on female political violence invariably portrays the perpetrators as duped, naive and exploited, acting from personal rather than political motivations, as anomalous intruders in a masculine realm and de-feminized as monsters.
News media reporting on female political violence invariably portrays the perpetrators as duped, naive and exploited, acting from personal rather than political motivations, as anomalous intruders in a masculine realm and de-feminized as monsters.
At the intersection of music, philosophy, and religion, Sensational Rhythms of the Ineffable explores intimate collaborations between rhythm and body, showing how they engender deep devotional experiences and ethical sensations.
Topic theory examines the lexicon of conventions that emerged in the late eighteenth century through which composers evoked dances, marches, hunting, the pastoral, and the supernatural.
Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Universite Paris-Sorbonne and the Universite de Montreal, originally published in French.
In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies.
In The Oxford Handbook of Music in China and the Chinese Diaspora, twenty-three scholars advance knowledge and understandings of Chinese music studies.
Hearing with the Mind synthesizes two exciting approaches to music--cognitive psychology and social history--by focusing on the remarkable work of musical theorist John Holden (1729--72) during the Scottish Enlightenment.
A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years.
A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years.
The Oxford Handbook of Orchestration Studies takes a new approach to the subject of orchestration, or the aspect of crafting a musical work that involves choosing and combining instruments and other sound sources to create combinations of tone colors (timbres).
The Oxford Handbook of Orchestration Studies takes a new approach to the subject of orchestration, or the aspect of crafting a musical work that involves choosing and combining instruments and other sound sources to create combinations of tone colors (timbres).
Hearing with the Mind synthesizes two exciting approaches to music--cognitive psychology and social history--by focusing on the remarkable work of musical theorist John Holden (1729--72) during the Scottish Enlightenment.
