Barocke Musik – geistliche wie weltliche – wurde im Zuge der Kolonialisierung von Europäern nach Südamerika gebracht und verbreitete sich dort in verschiedenen Kontexten.
Emerging from a period of protest and social unrest, 1968 was the year that ushered in gut-punching sounds that would define classic and hard rock-the formation of bands like Led Zeppelin and Black Sabbath rolled away the light sounds of psychedelic music and Flower Power.
This volume gathers together twelve essays on the composer's music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions.
