The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheatre in Tunisia.
Arguably the most important popular British composer of the 20th century, John Barry (1933-2011) enjoyed a career that spanned over fifty years, in which time he won five Academy Awards for pictures includingBorn Free, Out of Africa and Dances with Wolves.
Shepherd's Notes- Christian Classics Series is designed to give readers a quick, step by step overview of some of the enduring treasures of the Christian faith.
'Shows girlhood as it really was: brutal and tender, intimate and lonely, magical and utterly gross' Anna Beecher'Sensual and dirty, absurdist and tragic.
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue.
Through a series of interviews with a wide range of people connected to Pink Floyd in their earliest days (including Nick Mason, Peter Jenner, Jenny Fabian, Storm Thorgerson, Duggie Fields and Peter Whitehead), John Cavanagh paints a vivid picture of how this remarkable debut album was created.
The Isley Brothers' 3+3, dissects The Isleys' 50-year-old undisputed masterwork, an album that firmly established their music dynasty on a global scale, as well as heralding the boldest run of genre-defiant albums of their 67-year career.
Court and Spark is Joni Mitchell's most overt attempt at making a hit record, full of glossy production, catchy choruses, and even guest stars from every stratum of rock culture, high (Robbie Robertson) and low (Cheech and Chong).
I've Always Kept a Unicorn tells the story of Sandy Denny, one of the greatest British singers of her time and the first female singer-songwriter to produce a substantial and enduring body of original songs.
In this exploration of Cocteau Twins' quintessential album, Chris Tapley traces lines in all directions from Blue Bell Knoll to paint a revealing portrait of the enigmatic trio and their career-long struggles with self-doubt, stubborn principles, and pure experimentation.
The Stone Roses shows a band sizzling with skill, consumed with drive and aspiration and possessing an almost preternatural mastery of the pop paradigm.
In the spirit of This Is Spinal Tap and MTVs Headbangers Ball, this is the essential guide to becoming a big-haired, mesh-wearing, guitar-shredding 80s rock star.
From the "e;War on Hippies"e; to the Great Rock 'n' Roll Swindle, the story of Modern Lovers is a high octane tale of Brutalist architecture, rock 'n' roll ambition and the struggle for identity in a changing world.
It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band.
Issued on America's premier rap label at the peak of the thrash metal movement, Slayer's controversial Reign in Blood remains the gold standard for extreme heavy metal, a seamless 29-minute procession of ten blindingly fast, apocalyptic songs.
One of the most controversial figures in the history of ideas as well as music, Richard Wagner continues to stimulate debate whenever his works are performed.
Described as the perfect fusion of poetry and garage band rock and roll (the original concept was "e;rock and Rimbaud"e;), Horses belongs as much to the world of literary and cultural criticism as it does to the realm of musicology.
Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone.
A tool for piano teachers and their students, written by a celebrated concert pianist and highly regarded university teacher, covering areas of piano technique which he feels are often not given sufficient attention.
The intimate - and surprising - autobiography of Britain's most adored bandPrepare to meet the real McFly In 2003, Tom Fletcher, Danny Jones, Harry Judd and Dougie Poynter came together and formed what would become one of the most popular and successful bands in the UK.
The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheatre in Tunisia.