This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
This new 50th anniversary edition of the classic 1971 book The Total FilmMaker is now being released by the Jerry Lewis Estate and Michael Wiese Productions with all-new, never-before-seen photos of Jerry on set and with his family and friends, and a new foreword by Leonard Maltin.
This book commences with the history of Indian, Egyptian, Arab, and flamenco dance, then compares and contrasts the history of both classical ballet and flamenco.
This book commences with the history of Indian, Egyptian, Arab, and flamenco dance, then compares and contrasts the history of both classical ballet and flamenco.
From the backstreets of Buenos Aires to Parisian high society, this is the extraordinary story of the dance that captivated the world - a tale of politics and passion, immigration and romance.
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies.
When Misty Copeland first placed her hands on the ballet barre at an after-school community centre, no one expected the undersized, underprivileged and anxious thirteen-year-old to become one of America's most groundbreaking dancers.
MIT WAGANOWA ZEITGEMÄSS BALLETT LERNENVor knapp 100 Jahren hat die visionäre Ballettpädagogin Agrippina Waganowa ihre Ausbildungsmethode in dem Buch "Grundlagen des Klassischen Tanzes" niedergelegt.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.
A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author's years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film students of all ages.
¿Cómo aprender de un saber o práctica transdisciplinar que está en constante experimentación y construcción, donde sus bordes se difuminan constantemente?
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting.
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting.
Der Band nimmt die künstlerische Kooperation des Ehepaares Ruth Berghaus und Paul Dessau, zwei in der DDR ebenso exponierten wie umstrittenen Künstlerpersönlichkeiten, in den Blick.
The first comprehensive work in English on the three major regional styles of Uzbek women's dance Ferghana, Khiva and Bukhara and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance.
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.
The first comprehensive work in English on the three major regional styles of Uzbek women's dance Ferghana, Khiva and Bukhara and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance.
A Black dancer chronicles her career as a scholar writing the stories of global hip-hop and Black cultureDancing the Afrofuture is the story of a dancer with a long career of artistry and activism who transitioned from performing Black dance to writing it into history as a Black studies scholar.
In honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history.
In honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history.
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other.
Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s.
Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s.
This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops.
In this uplifting memoir, Lee Wilson shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters.
