Six créateurs contemporains ont été choisis pour interroger les codes culturels, le politique et le religieux dans la danse indienne : Shantala Shivalingappa, Padmini Chettur, Bartabas, Pina Bausch, Carolyn Carlson et Ariane Mnouchkine.
Les Mille et Une Nuits, source d'inspiration littéraire, modèle de construction textuelle ou mythe de l'image du féminin avec le personnage de Schéhérazade.
Artistes contemporains de cinéma et de théâtre donnent la réplique à Alain Astruc dans ce livre d’entretiens où se mêlent des extraits d’un ouvrage théorique inédit et des photographies d’Alain Astruc comédien.
Longtemps tenu à l’écart des manuels, réduit à l’image d’un genre populaire au pathétique outré mettant en scène des personnages improbables, le mélodrame ne correspond en rien à cette caricature.
Artistes contemporains de cinéma et de théâtre donnent la réplique à Alain Astruc dans ce livre d’entretiens où se mêlent des extraits d’un ouvrage théorique inédit et des photographies d’Alain Astruc comédien.
Les Mille et Une Nuits, source d'inspiration littéraire, modèle de construction textuelle ou mythe de l'image du féminin avec le personnage de Schéhérazade.
Six créateurs contemporains ont été choisis pour interroger les codes culturels, le politique et le religieux dans la danse indienne : Shantala Shivalingappa, Padmini Chettur, Bartabas, Pina Bausch, Carolyn Carlson et Ariane Mnouchkine.
Depuis plus de vingt-cinq ans, les propositions scéniques de Robert Carsen font de lui une des figures de proue de la mise en scène lyrique qu’il a contribué à doter d’une force théâtrale adaptée à notre modernité.
Longtemps tenu à l’écart des manuels, réduit à l’image d’un genre populaire au pathétique outré mettant en scène des personnages improbables, le mélodrame ne correspond en rien à cette caricature.
Depuis plus de vingt-cinq ans, les propositions scéniques de Robert Carsen font de lui une des figures de proue de la mise en scène lyrique qu’il a contribué à doter d’une force théâtrale adaptée à notre modernité.
Seit geraumer Zeit mehren sich die Produktionen im zeitgenössischen Tanz und Theater sowie in der Performancekunst, in denen Kinder und Jugendliche nicht nur auf der Bühne, sondern auch hinter und vor der Bühne neue Rollen und Positionen einnehmen.
This hilariously uplifting memoir follows an Arab American woman's merry life as she shimmies her way from getting dumped by her tattoo-artist boyfriend to coming to grips with being single, ample, and 30.
Discover what goes on behind the curtains of your favorite musical Do you want to know more about the fascinating history of Broadway musicals, the stars of yesterday and today, and what goes on behind the curtain of a musical production?
The main aim of this book is to present the theory and purpose underpinning the approaches to dance literacy as explored by the Language of Dance(R) community in the USA and UK.
The main aim of this book is to present the theory and purpose underpinning the approaches to dance literacy as explored by the Language of Dance(R) community in the USA and UK.
Tales from the forty-year career of the Hollywood entertainment manager and publicist to such stars as Lenny Kravitz, Bette Midler, the Bee Gees, and others.
Examining historical, clinical, and artistic material, in both written and visual form, this book traces the figure of the contemporary hysteric as she rebels against the impossible demands made upon her.
Examining historical, clinical, and artistic material, in both written and visual form, this book traces the figure of the contemporary hysteric as she rebels against the impossible demands made upon her.
Since its inception as an institutionalized discipline in the United States during the 1980s, performance studies has focused on the interdisciplinary analysis of a broad spectrum of cultural behaviours including theatre, dance, folklore, popular entertainments, performance art, protests, cultural rituals, and the performance of self in everyday life.
Since its inception as an institutionalized discipline in the United States during the 1980s, performance studies has focused on the interdisciplinary analysis of a broad spectrum of cultural behaviours including theatre, dance, folklore, popular entertainments, performance art, protests, cultural rituals, and the performance of self in everyday life.
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845.
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845.
In the past decade, Vancouver dance has received tremendous acclaim nationally and internationally, as witnessed by the success of choreographer Crystal Pite and a rejuvenated Ballet BC.
Dance Research Methodologies: Ethics, Orientations, and Practices captures the breadth of methodological approaches to research in dance in the fine arts, the humanities, the social sciences, and the natural sciences by bringing together researchers from around the world writing about a variety of dance forms and practices.
Dance Research Methodologies: Ethics, Orientations, and Practices captures the breadth of methodological approaches to research in dance in the fine arts, the humanities, the social sciences, and the natural sciences by bringing together researchers from around the world writing about a variety of dance forms and practices.
Burridge and Svendler Nielsen bring together many perspectives from around the world on dancing experiences through life of senior artists and educators, whether as professionals working with community dance groups, in education or for recreation and well-being.
Burridge and Svendler Nielsen bring together many perspectives from around the world on dancing experiences through life of senior artists and educators, whether as professionals working with community dance groups, in education or for recreation and well-being.
Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day.
