Essentials of Dance Movement Psychotherapy contributes to the global interest in embodiment approaches to psychotherapy and to the field of dance movement psychotherapy specifically.
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen is the first workbook to follow the entire process of video dance production: from having an idea, through to choreographing for the screen, filming and editing, and distribution.
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen is the first workbook to follow the entire process of video dance production: from having an idea, through to choreographing for the screen, filming and editing, and distribution.
Jasmin Vardimon's Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice.
Jasmin Vardimon's Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice.
Indian Classical Dance and the Making of Postcolonial National Identities explores what happens when a national-cultural production is reproduced outside the immediate social, political and cultural context of its origin.
Indian Classical Dance and the Making of Postcolonial National Identities explores what happens when a national-cultural production is reproduced outside the immediate social, political and cultural context of its origin.
The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments.
The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments.
Dynamic Group-Piano Teaching provides future teachers of group piano with an extensive framework of concepts upon which effective and dynamic teaching strategies can be explored and developed.
Dynamic Group-Piano Teaching provides future teachers of group piano with an extensive framework of concepts upon which effective and dynamic teaching strategies can be explored and developed.
A few years ago, as a throwback to one of my favorite hunts, The Secret by Byron Preiss and because the date 12/12/12 was quickly approaching, it was decided to bury a ceramic casque, a ring and a few other items then create a hunt around the number 12.
For courses in Introduction to Communication A five-principles approach that helps students build practical communication skills The Interpersonal Communication Book provides in-depth coverage of interpersonal communication, blending theory and research with practical skills.
For courses in Introduction to CommunicationA five-principles approach that helps students build practical communication skillsRevel(R) Communication: Principles for a Lifetime was designed to address the biggest challenge when teaching Introduction to Communication: how to present the variety of fundamental theories and skills without overwhelming learners.
Provides a thorough foundation in the theory, research, and skills of communication Human Communication: The Basic Course provides an in-depth look at the concepts and principles of human communication, emphasising public speaking, interpersonal communication, and small group communication.
Stresses the importance of argumentation in everyday life Critical Thinking and Communication, 7th Edition encourages students to develop skills in constructing and refuting arguments in contexts ranging from informal conversations to structured debates.
Using the guiding principle of balance, Working in Groups provides students with practical strategies, built on theory and research, for communicating and working successfully in groups.
Comprehensive and accessible coverage of the study of conflict Managing Conflict Through Communication helps students approach conflict constructively and learn more positive conflict management and resolution skills.
This engaging text introduces the burgeoning and interdisciplinary field of cultural performance, offering ethnographic approaches to performance as well as looking at the aesthetics of experience and performance theory.
This popular core textbook offers a clear introduction to community dance practice today, preparing students for the realities of employment in this dynamic and widely studied field.
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company.
This "e;what is"e;-rather than "e;how to"e;- volume proposes a theoretical framework for understanding dance leadership for dancers, leaders, and students of both domains, illustrated by portraits of leaders in action in India, South Africa, UK, US, Brazil and Canada.
In examining the relationship between the spectacular, iconic and vibrant New York of the musical and the off-screen history and geography of the real city-this book explores how the city shaped the genre and equally how the genre shaped representations of the city.
Undergraduate Research in Dance: A Guide for Students supplies tools for scaffolding research skills, alongside examples of undergraduate research in dance scholarship.
This study is the first monograph on the work of French choreographer Jerome Bel, following his artistic trajectory from the beginning of his career as a choreographer in 1994 to his most recent piece in 2016.
Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown's personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries.
This book takes its point of departure from the overwhelming interest in theories of the body and performativity in sociology and cultural studies in recent years.
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga .
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
