Through seven key case studies from Khan's oeuvre, this book demonstrates how Akram Khan's 'new interculturalism' is a challenge to the 1980s western 'intercultural theatre' project, as a more nuanced and embodied approach to representing Othernesses, from his own position of the Other.
Choreographic Dwellings: Practising Place offers new readings of the kinaesthetic experiences of site-specific and nomadic performance, parkour, installation and walking practices.
This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum 'n' bass.
Theatre and Performance in the Asia-Pacific is an innovative study of contemporary theatre and performance within the framework of modernity in the Asia-Pacific.
This stimulating introduction to laughter in theatre and performance examines laughter among actors, among audience, and the interaction between the two.
This volume of essays combines research from neuroscience, conscious studies, methods of training performers, modes of creating a staged narrative, Asian aesthetics, and post-modern theories of performance in an examination of the relationship between consciousness and performance.
This highly readable introduction to dance with older people combines key debates and issues in the field with practical guidance, as well as a resources section including numerous 'toolkit materials'.
Using the tools of performance studies, gender theory, and cultural history, Brenda Foley explores the striking similarities between beauty pageantry and striptease.
This book presents an engaging sociological investigation into how gender is negotiated and performed in ballroom and Latin dancing that draws on extensive ethnographic research, as well as the author's own experience as a dancer.
Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene.
Dance Ethnography and Global Perspectives presents the work of dance scholars whose professional fieldwork spans several continents and includes studies of the dance and movement systems of varied global communities.
Rudolf Laban (1879 - 1958) was a pioneer in dance and movement, who found an extraordinary range of application for his ideas; from industry to drama, education and therapy.
Rudolf Laban (1879 - 1958) was a pioneer in dance and movement, who found an extraordinary range of application for his ideas; from industry to drama, education and therapy.
Sport psychologists working with athletes, teams and sports performers are only as effective as their professional techniques and competencies will allow.
Sport psychologists working with athletes, teams and sports performers are only as effective as their professional techniques and competencies will allow.
"e;This is an urgently needed book , as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument.
"e;This is an urgently needed book , as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument.
This innovative collection showcases the interconnectedness of translation and the performing arts, drawing on examples spanning languages, eras, and modes of performance to argue for the importance of re-envisioning translation beyond writing.
William Forsythe's reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era.
William Forsythe's reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era.
The first and only book to focus on dance on the Internet, Sita Popat's fascinating Invisible Connections examines how Internet and communication technologies offer dance and theatre new platforms for creating and performing work, and how opportunities for remote interaction and collaboration are available on a scale never before imaginable.
The first and only book to focus on dance on the Internet, Sita Popat's fascinating Invisible Connections examines how Internet and communication technologies offer dance and theatre new platforms for creating and performing work, and how opportunities for remote interaction and collaboration are available on a scale never before imaginable.
This book explores how, from the mid-20th century, a new form of theatre emerged in Trinidad and Tobago as its playwrights came to mine the Afro-Creole Trinidadian folk milieu.
Although much has been written about the dancer and prolific choreographer Martha Graham, no publication has specifically examined her radical period, the body of innovative work from the 1930s and 40s which culminated in the full-length Clytemnestra of 1958.
Although much has been written about the dancer and prolific choreographer Martha Graham, no publication has specifically examined her radical period, the body of innovative work from the 1930s and 40s which culminated in the full-length Clytemnestra of 1958.
The revolution that happened in the American dance world between 1932 until 1992 was as great, or even greater, than the earlier movement revolution instigated by the Ballets Russes.
The revolution that happened in the American dance world between 1932 until 1992 was as great, or even greater, than the earlier movement revolution instigated by the Ballets Russes.
