A passionate and moving tribute to the captivating power of dance, not just as an art form but as a language that transcends barriers "e;[A] smart, bracing book of reflection, analysis, memoir and history.
A comprehensive history of the creation and growth of Lincoln Center, exploring the interconnections between politicians, financiers, and performing artistsIn this comprehensive history of Lincoln Center for the Performing Arts, longtime Juilliard president Joseph Polisi guides us through the complex convergence of the worlds of politics, finance, and the performing arts throughout the years of the Center's history, including the roles played by Robert Moses, John D.
An introduction to the mysterious theater role of a dramaturg by a legend in the field Anne Cattaneo was among the first Americans to fill the role of dramaturg, one of theater's best kept secrets.
The first major English'language collection of plays and essays by Syrian playwright Sa'dallah Wannous Sa'dallah Wannous is acknowledged to be one of the Arab world’s most significant playwrights, writers, and intellectuals of the twentieth century.
A fascinating exploration of our reality through the eyes of a physicist and a dancer-and an engaging introduction to both disciplinesFrom stepping out of our beds each morning to admiring the stars at night, we live in a world of motion, energy, space, and time.
From the prizewinning Jewish Lives series, a lively and inspired biography celebrating the centennial of this master choreographer, dancer, and stage director Jerome Robbins (1918–1998) was born Jerome Wilson Rabinowitz and grew up in Weehawken, New Jersey, where his Russian-Jewish immigrant parents owned the Comfort Corset Company.
A preeminent scholar explores the evolution of the Christian worldview and argues that it no longer offers a satisfactory vision for our democratic, multicultural society This book is the culmination of a lifelong scholarly inquiry into Christian history, religion as a social institution, and the role of myth in the history of religions.
The powerfully moving story of the Russian Jewish choreographer who used dance to challenge despotism Everyone has heard of George Balanchine, but few outside Russia know of Leonid Yakobson, Balanchine’s contemporary and arguably his equal, who remained in Lenin’s Russia and survived censorship during the darkest days of Stalin.
A richly informed, up-to-date performance guide to more than 140 favorite ballets, from the classical era to the present day This engaging book is a welcome guide to the most successful and loved ballets seen on the stage today.
British theatre of the past fifty years has been brilliant, varied, and controversial, encompassing invigorating indigenous drama, politically didactic writing, the formation of such institutions as the National Theatre, the exporting of musicals worldwide from the West End, and much more.
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic.
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburg’s liveliest and most prolific ballet critic in the early part of the twentieth century.
The Nutcracker is the most popular ballet in the world, adopted and adapted by hundreds of communities across the United States and Canada every Christmas season.
Maya Plisetskaya, one of the world’s foremost dancers, rose to become a prima ballerina of Moscow’s Bolshoi Ballet after an early life filled with tragedy and loss.
Igor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces.
As the nineteenth century gave way to the twentieth, a short-lived but extraordinary cultural phenomenon spread throughout Europe and the United States—“Salomania.
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danish filmmakers Lars von Trier and Thomas Vinterberg in 1995.
An innovative analysis of Simone Forti''s interdisciplinary art, viewing her influential 1960s “dance constructions” as negotiating the aesthetic strategies of John Cage and Anna Halprin.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
This volume investigates the contributions and achievements of the physically disabled dancer while challenging and recognizing the inherent inequities in the field of integrated dance in the UK which currently places greater emphasis on the learning disabled performer.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Explore the vibrant and varied dance traditions of the Caribbean islandsCaribbean dance is a broad category that can include everything from nightclubs to sacred ritual.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance.
Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance.
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences.
Tarantella, a genre of Southern Italian folk music and dance, is an international phenomenon--seen and heard in popular festivals, performed across the Italian diaspora, even adapted for New Age spiritual practices.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia.
In Becoming Beautiful, Joanna Bosse explores the transformations undergone by the residents of a Midwestern town when they step out on the dance floor for the very first time.
In Appalachian Dance: Creativity and Continuity in Six Communities, Susan Eike Spalding brings to bear twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance in each region.
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres.
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage.
