Undergraduate Research in Dance: A Guide for Students supplies tools for scaffolding research skills, alongside examples of undergraduate research in dance scholarship.
Dance Pedagogy is a comprehensive resource designed for dance students and teaching artists to develop skills and strategies in the multifaceted practice of teaching dance.
María Teresa Gil Ogliastri creó y desarrolló una metodología de trabajo denominado NEUROTANGO, basado en su Tesis de Posgrado en Danza Movimiento Terapia de la Universidad Nacional de las Artes: "Aportes del Tango en el Contexto de DMT para la interacción social de adultos con discapacidad intelectual, visual y motora".
Alice takes you to the nighttime world of a burlesque theater, haunted by a banshee and alluring stripper ghosts, the scene of an exotic dancers tragic death.
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions.
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies.
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions.
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments-unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.
Intended to be kept at a screenwriters fingertips, The Hollywood Standard provides what even the best script software cant: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
This new 50th anniversary edition of the classic 1971 book The Total FilmMaker is now being released by the Jerry Lewis Estate and Michael Wiese Productions with all-new, never-before-seen photos of Jerry on set and with his family and friends, and a new foreword by Leonard Maltin.
This book commences with the history of Indian, Egyptian, Arab, and flamenco dance, then compares and contrasts the history of both classical ballet and flamenco.
The book is based on extensive field work among the forest dwelling Rabhas of North Bengal conducted in 1982 and 1983 during the collection of their traditional cultural artifacts (ethnographic object) as the museum specimens.
This book commences with the history of Indian, Egyptian, Arab, and flamenco dance, then compares and contrasts the history of both classical ballet and flamenco.
From the backstreets of Buenos Aires to Parisian high society, this is the extraordinary story of the dance that captivated the world - a tale of politics and passion, immigration and romance.
The book is based on extensive field work among the forest dwelling Rabhas of North Bengal conducted in 1982 and 1983 during the collection of their traditional cultural artifacts (ethnographic object) as the museum specimens.
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies.
When Misty Copeland first placed her hands on the ballet barre at an after-school community centre, no one expected the undersized, underprivileged and anxious thirteen-year-old to become one of America's most groundbreaking dancers.
What began as an underground 60s Mod scene in unlicensed, no-frills clubs in the North West of England became a youth craze that has long surpassed all others.
