This book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.
Each chapter in the student text features: learning objectives, vocabulary, topic discussion, review questions, student project plans, evaluation sheets, and extension activities.
Heralded as the father of Indian Creative Dance, and India's cultural ambassador, Uday Shankar (1900-1977) was a dancer and choreographer who created a vibrant new Indian dance form without any ethno-regional centricity.
An artist of the air re-creates his six-year plot to pull off an act of incomparable beauty and imaginationOne late-summer day, a feat of unimaginable audacity was perpetrated on the twin towers of the World Trade Center.
While tap dancers Fred Astaire, Gene Kelly, and Eleanor Powell were major Hollywood stars, and the rhythms of Black male performers such as the Nicholas Brothers and Bill "e;Bojangles"e; Robinson were appreciated in their time, Black female tap dancers seldom achieved similar recognition.
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn.
This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration.
Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers?
Hailed as "e;the theatrical event of this century"e; (Sunday Times), Peter Brook's unique dramatisation of India's great epic poem, The Mahabharata played to ecstatic audiences worldwide.
Nomai dance drama, an artistic expression combining sacred, communal, economic, and cultural spheres of community life in the district of Higashidorimura, is a performing tradition that provides an identity to agriculturally based villages.
This book contributes to the growing scientific literature on 'intangible cultural heritage' - determined by UNESCO to be particularly worthy of safeguarding and transmission - by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance.
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments-unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.
Bridging the gap between architectural theory and professional practice studies, this book offers critical inquiry into the shifting ground of ethical thought in the changing climate of the global economy.
Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danish filmmakers Lars von Trier and Thomas Vinterberg in 1995.
Dance has been connected to the practices and ideologies that have shaped notions of a Nordic region for more than a century and it is ingrained into the culture and society of the region.
Through popular movies starring Bruce Lee and songs like the disco hit "e;Kung Fu Fighting,"e; martial arts have found a central place in the Western cultural imagination.
Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance pop and EDM (electronic dance music), have come to define the pop music scene worldwide.
This collection comprises a comprehensive overview of key themes, arguments, and practices central to the study and understanding of site-specific performance.
Dance and Light examines the interconnected relationship between movement and design, the fluid partnership that exists between the two disciplines, and the approaches that designers can take to enhance dance performances through lighting design.
Cet ouvrage témoigne d’un désir de comprendre les processus de création, de développement professionnel et de recherche mis en oeuvre lors de la biennale Zones théâtrales 2013.
The 1909 arrival of Serge de Diaghilev's Ballets Russes in Paris marked the beginning of some two decades of collaboration among litterateurs, painters, musicians, and choreographers, many not native to France.
The Memory Palace of Bones: Exploring Embodiment Through the Skeletal System is an unprecedented exploration of the anatomy of the bones of the body, and a unique set of reflections on the role each individual bone plays in our lives, looking at both its physical and energetic contributions.
By the 1920s, much of the world was 'dance mad,' as dancers from Buenos Aires to Tokyo, from Manchester to Johannesburg and from Chelyabinsk to Auckland, engaged in the Charleston, the foxtrot and a whole host of other fashionable dances.
While she is best remembered today as founder of the Philadelphia Ballet and the director and driving force behind the famous Littlefield School of Ballet, from which Balanchine drew the nucleus for his School of American Ballet, Catherine Littlefield (1905-51) and her oeuvre were in many ways emblematic of the full representation of dance throughout entertainments of the first half of the 20th century.
Pina Bausch's Aggressive Tenderness: Repurposing Theater through Dance maps Bausch's pieces alongside methodologies of key theater and film practitioners.
Atlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region's four provinces.
This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.