This book acts as a guide to understanding authentic movement (AM) in various forms and in differing contexts, covering over three decades of practice across different theoretical and practical topics.
This book acts as a guide to understanding authentic movement (AM) in various forms and in differing contexts, covering over three decades of practice across different theoretical and practical topics.
Fully revised and updated, this third edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into creative processes, and innovative challenges to understandings about dance-making.
Fully revised and updated, this third edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into creative processes, and innovative challenges to understandings about dance-making.
This book explores the most unique contemporary forms of Taiwanese dance theatre and the theatre of movement created by renowned choreographers whose productions are committed to the Eastern body aesthetics (dongfang shentiguan).
This book explores the most unique contemporary forms of Taiwanese dance theatre and the theatre of movement created by renowned choreographers whose productions are committed to the Eastern body aesthetics (dongfang shentiguan).
This book analyzes gesture, ritual, and performance in flamenco and tauromaquia the extended definition of bullfighting within the visual arts and poetry in contemporary Spain.
This book analyzes gesture, ritual, and performance in flamenco and tauromaquia the extended definition of bullfighting within the visual arts and poetry in contemporary Spain.
This volume provides a partial mapping of the ambivalent representational forms and cultural politics that have characterized Latinx identity since the 1990s, looking at literary and popular culture texts, as well as new media expressions.
In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java's Islamic Northwest Coast, Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam.
This collection presents a selection of essays written from a point of view that has dance, movement, or performance at its centre, and examines the intellectual and material relationship to the art form from which they are conceived.
This collection presents a selection of essays written from a point of view that has dance, movement, or performance at its centre, and examines the intellectual and material relationship to the art form from which they are conceived.
This book brings together scholars from Europe, Latin America and the United States in a shared effort to assess the critical potential of the transnational paradigm for Spanish and Latin American cinema.
This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora.
This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora.