MIT WAGANOWA ZEITGEMÄSS BALLETT LERNENVor knapp 100 Jahren hat die visionäre Ballettpädagogin Agrippina Waganowa ihre Ausbildungsmethode in dem Buch "Grundlagen des Klassischen Tanzes" niedergelegt.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.
Écrire la danser et danser l’écrit – unter diesem Blickwinkel werden die vielseitigen Berührungspunkte beleuchtet und analysiert, welche die beiden Kunstformen Literatur und Tanz verbinden.
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.
A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author's years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film students of all ages.
¿Cómo aprender de un saber o práctica transdisciplinar que está en constante experimentación y construcción, donde sus bordes se difuminan constantemente?
Der Band nimmt die künstlerische Kooperation des Ehepaares Ruth Berghaus und Paul Dessau, zwei in der DDR ebenso exponierten wie umstrittenen Künstlerpersönlichkeiten, in den Blick.
The first comprehensive work in English on the three major regional styles of Uzbek women's dance Ferghana, Khiva and Bukhara and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance.
This book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country.
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.
This book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country.
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.
The first comprehensive work in English on the three major regional styles of Uzbek women's dance Ferghana, Khiva and Bukhara and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance.
In this memoir, Halifu Osumare reflects on how her career as a dancer and activist influenced her growth as a scholar writing the stories of global hip-hop and Black culture.
This book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.
In honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history.
This book is a practical and theoretical exploration of the embodied imagining processes of devised performance in which the human and more-than-human are co-implicated in the creative process.
Spanning the entire history of the park, from its founding more than 50 years ago to the present, this fascinating book explores 500 attractions, restaurants, stores, events, and significant people from Disneyland.
In honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history.
This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other.
Until the mid -nineteenth century, the Arab culture did not know the art of theater, which was prevalent in Europe and which started from the stage of pagan myths in the time of ancient Greek civilization, and developed in the religious theater in Christian covenants, and witnessed a great development in the ages of the European renaissance and enlightenment until it became an art More.
Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s.
Both a biography and a history, this book explores the significant role that Indian dancer Ram Gopal (1912-2003) played in bringing Indian dance to international audiences from the 1930s to the late 1960s.
This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops.
In this uplifting memoir, Lee Wilson shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters.
