The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between.
From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality.
Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children.
In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott's Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission.
The Marvel Cinematic Universe--comprised of films, broadcast television and streaming series and digital shorts--has generated considerable fan engagement with its emphasis on socially relevant characters and plots.
Hollywood studios were once eager to bring stand-up comedy king Richard Pryor's dynamic humor to the big screen--so much so that studio executives gave him full access to available resources and creative control to develop his own projects.
Richard Matheson's 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007).
One of FX's most successful original productions, Sons of Anarchy roared onto the screen in 2008 and dominated the cable network's programming for seven seasons.
Mars has long served as a blank canvas for illustrating society's aspirations and anxieties--a science fiction setting for exploring our "e;future history.
Set in the American Southwest, "e;desert terror"e; films combine elements from horror, film noir and road movies to tell stories of isolation and violence.
Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956.
Set in politically unstable environments, Shakespeare's history plays--Richard II, 1 Henry IV, 2 Henry IV and Henry V--and HBO's Western series Deadwood (2004-2006) all stand as critiques of myths of national origin, the sanitized stories we tell ourselves about how power imposes order on chaos.
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "e;vomit gore"e; films.
Dismissed as camp by critics but revered by fans, the kaiju or "e;strange creature"e; film has become an iconic element of both Japanese and American pop culture.
British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features.
From Rosemary's Baby (1968) to The Witch (2015), horror films use religious entities to both inspire and combat fear and to call into question or affirm the moral order.
When Sydney Newman conceived the idea for Doctor Who in 1963, he envisioned a show in which the Doctor and his companions would visit and observe, but not interfere with, events in history.
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl.
Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre.
After a century of reinvention and, frequently, reinterpretation, Western movies continue to contribute to the cultural understanding of the United States.
From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer.
