In Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.
In Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.
Ausgehend von den Dokumentarfilmen »Havarie« (Philip Scheffner, 2016) und »Purple Sea« (Amel Alzakout mit Khaled Abdulwahed, 2020) sowie journalistischem und literarischem Material protokolliert die Autorin Formen der Wassergewalt und entwickelt ein Denken des Flüssigen entlang des EUropäischen Grenzregimes.
Jurgen Bottcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.
Jurgen Bottcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.
How filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning realitywith help from nuns, gang members, skateboarders, artists, disability activists, and more.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
Videojournalism: Multimedia Storytelling for Online, Broadcast and Documentary Journalists is an essential guide for solo video storytellers-from "e;backpack"e; videojournalists to short-form documentary makers to do-it-all broadcast reporters.
Combining essays and interviews with nonfiction filmmakers, this collection explores the business side of nonfiction media creation for film and television.
Combining essays and interviews with nonfiction filmmakers, this collection explores the business side of nonfiction media creation for film and television.
Largely forgotten during the last 20 years of his life, the Soviet filmmaker Dziga Vertov (1896-1954) has occupied a singular and often controversial position over the past sixty years as a founding figure of documentary, avant-garde, and political-propaganda film practice.
The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world.
En esta obra los autores transmiten años de trabajo e investigación dedicados al estudio de la escritura seriada, que ya fue objeto de dos libros previos.
This book studies how the increase of visual representation of mixed-race Koreans formulates a particular racial project in contemporary South Korean media.
Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China.
African Documentary Cinema investigates the inception and trajectory of contemporary documentary filmmaking in sub-Saharan African countries and their diasporas.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
