Ausgehend von den Dokumentarfilmen »Havarie« (Philip Scheffner, 2016) und »Purple Sea« (Amel Alzakout mit Khaled Abdulwahed, 2020) sowie journalistischem und literarischem Material protokolliert die Autorin Formen der Wassergewalt und entwickelt ein Denken des Flüssigen entlang des EUropäischen Grenzregimes.
Jurgen Bottcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.
Jurgen Bottcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.
How filmmaker-philosophers brought the dream of making documentaries and strengthening democracy to award-winning realitywith help from nuns, gang members, skateboarders, artists, disability activists, and more.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
In der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle.
Largely forgotten during the last 20 years of his life, the Soviet filmmaker Dziga Vertov (1896-1954) has occupied a singular and often controversial position over the past sixty years as a founding figure of documentary, avant-garde, and political-propaganda film practice.
The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world.
The rise of Italian ecodocumentaries represents a significant cultural response to urgent environmental issues, reflecting a growing ecological awareness in contemporary Italian society.
The rise of Italian ecodocumentaries represents a significant cultural response to urgent environmental issues, reflecting a growing ecological awareness in contemporary Italian society.
En esta obra los autores transmiten años de trabajo e investigación dedicados al estudio de la escritura seriada, que ya fue objeto de dos libros previos.
This book studies how the increase of visual representation of mixed-race Koreans formulates a particular racial project in contemporary South Korean media.
Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China.
African Documentary Cinema investigates the inception and trajectory of contemporary documentary filmmaking in sub-Saharan African countries and their diasporas.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World.
Situated within an emerging academic interest in documentary film in the Middle East and North Africa, this book studies the development of diverse documentary forms in relation to revolutionary and emancipatory movements that took place across the twentieth century in the so-called Arab World.
Claude Lanzmann's epic 1985 film 'Shoah' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide.
This book analyzes the rise of socially and politically engaged Algerian documentaries, created in the period immediately following the end of the Algerian civil war (1991-1999).
Durante las primeras décadas del siglo xx, el arte, las ciudades y los monumentos más emblemáticos de la geografía española comenzaron a recibir una especial atención por parte de la cinematografía, que contribuyó a su difusión, promoción y conocimiento entre la sociedad del momento.
Dokumentarische Filme aller Genres in TV, Kino und Netz entfalten ihre informative Kraft erst dann, wenn sie dramaturgisch als Erzählungen strukturiert sind, nicht als Aufzählungen.
Claudia Böttcher rekonstruiert Deutungsmuster des Widerstandes gegen den Nationalsozialismus in historischen Dokumentationen des DDR-Fernsehens von 1952 bis 1989.
Schon in den Entstehungsjahren der DDR dienten Dokumentarfilme der Identitätsstiftung und ideologischen Selbstversicherung, sie propagierten eine neue Gesellschaft und konstruierten die dazu passenden Geschichtsbilder.
Action, Melo und Fantasy sind zwar nicht seine Stärken, doch an Unterhaltungs- und Schauwerten hat der Dokumentarfilm mit dem Spielfilm schon lange gleichgezogen.
