Francis Ford Coppola's The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor.
Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.
Luchino Visconti's The Leopard (Il Gattopardo, 1963) tells the story of an aristocratic Sicilian family adjusting to the realities of political and commercial modernity after the unification Italy during the Risorgimento.
Choice Outstanding Academic Title 2023From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the H ritz Passion Play was filmed in the Czech Republic back in 1897.
Offering a fresh perspective on The General, arguably one of the most successful American films of the silent era, this insightful text analyses its initial critical reception and the thematic and stylistic characteristics of the film that made it difficult for critics to appreciate at the time, but led to its celebration by later generations.
Containing more than 2,200 entries from the most current Star Wars film and TV series, discover the vital facts about iconic characters, creatures, locations, vehicles, and technology from a galaxy far, far away .
'Like a pizza delivery driver who travels everywhere by moped, or a volcanologist who keeps turning the central heating up, I'm a film critic who loves going to the cinema.
One of the most charismatic feature films of the New Wave, A Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark.
Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog's breakthrough 1972 film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors led by Aguirre (played by Klaus Kinski) to find the legendary city of El Dorado.
Ground-breaking in its departure from its predecessors, When Harry Met Sally (1989) established classic romantic comedy themes and tropes still being employed today.
Ephraim Katz's The Film Encyclopedia is the most comprehensive single-volume encyclopedia on film and is considered the undisputed bible of the film industry.
Mikio Naruse's When A Woman Ascends The Stairs (1960) combines high melodrama with modernist film language, telling the story of Keiko, a bar hostess struggling to succeed in Tokyo's Ginza district.
"e;Du rififi chez les hommes"e; (1955), directed by the exiled American film director Jules Dassin, recounts the nail-biting tale of a Parisian gangster heist gone wrong.
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers changed Hollywood forever.
From the trashy to the epic, from the classics to today's blockbusters, this cinefile's guidebook reviews nearly 1,000 of the biggest, baddest, and brightest from every age and genre of cinematic science fiction!
When The Sound of Music was released in 1965, it took the world by storm, capturing five Oscars (including Best Picture) and holding the number-one spot box-office record for five years.
In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure.
Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991.
Das Kino ist der öffentlicher Ort künstlerischer Diskurse zu Menschen bewegenden Fragen, seien es persönliche Entwicklungsperspektiven, Gestaltung gesellschaftliche Umbrüche oder die Suche nach Sinn und Wahrheit im Leben und in der Religion.
Directed in 1974 by Roman Polanski from a script by Robert Towne, Chinatown is a brilliant reworking of film noir set in a drought-stricken Los Angeles of the 1930s.
Ground-breaking in its departure from its predecessors, When Harry Met Sally (1989) established classic romantic comedy themes and tropes still being employed today.
Billy Wilder's classic screwball comedy Some Like it Hot (1959), starring Jack Lemmon, Tony Curtis and Marilyn Monroe, tells the story of two struggling Jazz musicians who accidentally witness a mob massacre in Chicago who then, disguised as women, join a female band to escape the gangsters' pursuit.
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers changed Hollywood forever.
