How Hysterical reads scenes from the films Light It Up , Three Kings , Remember the Titans , Paris is Burning , Boys Don't Cry , and Magnolia alongside biblical texts from Numbers , Exodus , Isaiah , Micah , Ezekiel and Revelation .
How the leisure class has been replaced by a new elite, and how their consumer habits affect us allIn today's world, the leisure class has been replaced by a new elite.
A classic of British cultural studies, Profane Culture takes the reader into the worlds of two important 1960s youth cultures-the motor-bike boys and the hippies.
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "e;inferential walks"e; through Italian culture in the first decades of this century.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin.
The Godfather Doctrine draws clear and essential lessons from perhaps the greatest Hollywood movie ever made to illustrate America's changing geopolitical place in the world and how our country can best meet the momentous strategic challenges it faces.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin.
Liberty and the News is Walter Lippman's classic account of how the press threatens democracy whenever it has an agenda other than the free flow of ideas.
Siegfried Kracauer has been misunderstood as a naive realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky.
In Landscapes of Loss, Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s.
When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s.
How war trauma haunted the films of Weimar GermanyShell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat.
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space.
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space.
Gothic Heroines on Screen explores the translation of the literary Gothic heroine on screen, the potential consequences of these adaptations, and contemporary interpretations of the form.
Gothic Heroines on Screen explores the translation of the literary Gothic heroine on screen, the potential consequences of these adaptations, and contemporary interpretations of the form.
This book argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema.
This book argues that Halloween need not be the first nor the most influential youth slasher film for it to hold a special place in the history of youth cinema.
Film Comedy and the American Dream is an examination of national identity in the era of the American superpower as projected in popular comedic films that center on issues of upward mobility.
Film Comedy and the American Dream is an examination of national identity in the era of the American superpower as projected in popular comedic films that center on issues of upward mobility.
Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts.
Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts.
Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis.
Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis.
An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it.
An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it.
Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today.
Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today.
Easy A (2010) is the last significant box-office success in the high-school teen movie subgenre and a film that has already been deemed a 'classic' by many cultural commentators and popular film critics.
Easy A (2010) is the last significant box-office success in the high-school teen movie subgenre and a film that has already been deemed a 'classic' by many cultural commentators and popular film critics.
Music in Action Film is the first volume to address the central role of music and sound in action film-arguably the most dominant form of commercial cinema today.
