Film history, theory or criticism

“An engrossing new page turner” about one of old Hollywood’s royal families: “theater people don't get more interesting, and it's a true tale well told" (Hollywood Reporter).

This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration.

Melvyn Stokes's study of the 1946 classic Gilda describes the film's production and reception history, as well as addressing Rita Hayworth's complex star persona and ethnicity identity; Gilda's status as a 'noir' film; and what the film had to say about relations between men and women in a world transformed by war.

Steven Spielberg is known as the most powerful man in New Hollywood and a pioneer of the contemporary blockbuster, America s most successful export.

A history of American cameramen covering the news of World War I, from the dangerous front line and the risk of execution to red tape and censorship.

Scholars of state socialism have frequently invoked nostalgia to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc.

'It's not a high concept movie, there's actually no story there really.

This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration.

Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history.

Imagine the twentieth century without photography and film.

This major new book offers a much-needed introduction to the work of Siegfried Kracauer, one of the main intellectual figures in the orbit of the Frankfurt School of Critical Theory.

This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment.

Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers changed Hollywood forever.

Alexander Korda's masterpiece "e;The Private Life of Henry VIII"e; was arguably the most important British film of the pre-war period and a phenomenal, critical and box-office success.

East Germany s ruling party never officially acknowledged responsibility for the crimes committed in Germany s name during the Third Reich.

This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period.

'The Anthem Handbook of Screen Theory' offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts.

Hypnotic.

Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history.

Tony Richardson's 1968 "e;Charge of the Light Brigade"e;, with its star cast, lavish sets and location shoots, was one of the most expensive British films ever made.

Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it.

A celebration of the 75th anniversary of the Metro-Goldwyn-Mayer movie musical, this new book The Wizard of Oz offers a rare glimpse into the creation of the classic film, its creator L.

This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century.