The vivid account of how a brilliant plan turned into an epic tragedy - made into the BAFTA award-winning film A BRIDGE TOO FAR'Alive with the detail that evokes the smoking background' DAILY TELEGRAPH'Finely recorded.
SHORTLISTED FOR THE HWA NON-FICTION CROWNLONGLISTED FOR THE WINGATE LITERARY PRIZE'A masterly account' THE TIMES'A brilliant book' OBSERVER'Excellent .
Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today.
Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "e;apartment plot,"e; her term for stories in which the apartment functions as a central narrative device.
A lively and authoritative journey into the world of a cinema masterWith the revolutionary 8 1/2, Federico Fellini put his deepest desires and anxieties before the lens in 1963, permanently impacting the art of cinema in the process.
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production.
In Paris in the Dark Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.
'A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound'A must read' Edgar WrightA call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
La peste en el cine hace referencia no precisamente a la contaminación infecciosa de las salas cinematográficas, sino más bien a otro tipo de pestilencias: las representaciones de pestes, plagas, epidemias, pandemias, que, con diversos grados de centralidad aparecen y/o engarzan en las tramas de distintas películas.
Perdone que piense es un cielo, una butaca, un libro, unos personajes, una raqueta con cordajes de piel, una politica, pinceladas de una sociedad que es ahora y que no sabemos que sera en un futuro.
This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
Tomando como fuente primaria las revistas Arte en Colombia y Re-vista del Arte y la Arquitectura en Colombia , La definición de arte moderno y contemporáneo en dos revistas colombianas (1976-1982) indaga por la manera como la narración, en cuanto una forma de manifestación de la función poética del lenguaje, hace parte del arsenal de nociones y conceptos lingüísticos, específicamente literarios, bajo los cuales los críticos valoran los distintos fenómenos artísticos que emergen hacia los años setenta en el país, enmarcados en lo que ellos mismos conciben como arte contemporáneo.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
At the heart of the documentary cinema world, Patricia Overfaidi is leading us on a unique journey to explore this sophisticated art through the pages of her book, which is characterized by briefing and clarity.
King Henry the Eighth William Shakespeare - King Henry the Eighth is a history play generally believed to be a collaboration between William Shakespeare and John Fletcher, based on the life of Henry VIII of England.
