Film history, theory or criticism

In this innovative study, German and film studies scholar Randall Halle advances the concept of "e;interzones"e;--geographical and ideational spaces of transit, interaction, transformation, and contested diversity--as a mechanism for analyzing European cinema.

NFL Films changed the way Americans view football.

Hollywood's Italian American Filmmakers explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity.

In just over a decade, Francois Ozon has earned an international reputation as a successful and provocative filmmaker.

Since the late 1980s, Hal Hartley has challenged standards of realist narrative cinema with daring narrative constructions, character development, and the creation of an unconventional visual world.

A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven.

Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism.

Exceptionally popular during their time, the spectacular American action film serials of the 1910s featured exciting stunts, film tricks, and effects set against the background of modern technology, often starring resourceful female heroines who displayed traditionally male qualities such as endurance, strength, and authority.

Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres.

Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies.

At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films.

John Sayles is the very paradigm of the contemporary independent filmmaker.

A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice.

Richard Linklater's filmmaking choices seem to defy basic patterns of authorship.

American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch.

This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world.

As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets.

This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception.

This volume is the first book-length study of the extensive career and prolific works of D.

Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie.

In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions.

Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon.

Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure.

The first major English-language study of Jarmusch At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train.

For a director who has made a limited number of feature films over four-plus decades, Terrence Malick sustains an extraordinary reputation as one of America's most original and independent directors.

This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934).

Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray.

A new take on an eclectic and controversial director James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work.

Called the leading heir to the great directors of post-WWII Europe and lavished with awards, Wong Kar-wai has redefined perceptions of Hong Kong's film industry.

In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies.

Into the Vortex challenges and rethinks feminist film theory's brilliant but often pessimistic reflections on the workings of sound and voice in film.

Like their Hollywood counterparts, Latin American film and TV melodramas have always been popular and highly profitable.

Albert Maysles has created some of the most influential documentaries of the postwar period.

South African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy.

This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry.

Wanted Cultured Ladies Only!

For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience.

What is the work of film in the age of transnational production?

In this timely critical introduction to the representation of Afghanistan in film, Mark Graham examines the often surprising combination of propaganda and poetry in films made in Hollywood and the East.

This survey of Sally Potter's work explores her cinematic development from the feminist reworking of La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes.

This is the first book on Jean-Pierre Jeunet, the popular and critically acclaimed director of films such as Amelie, Delicatessen, A Very Long Engagement, Alien Resurrection, and City of Lost Children.

From cynical portrayals like The Front Page to the nuanced complexity of All the President's Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days.

Blaxploitation action narratives as well as politically radical films like Sweet Sweetback's Baadasssss Song typically portrayed black women as trifling "e;bitches"e; compared to the supermacho black male heroes.

The changing face of feminist discourse as reflected by the career of one of its preeminent scholars Figures of Resistance brings together the unpublished lectures and little-seen essays of internationally renowned theorist Teresa de Lauretis, spanning over twenty years of her finest work.

A Choice Outstanding Academic Title, 2011.

In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including The White Ribbon, winner of the 2009 Palme d'Or at the Cannes Film Festival.

This in-depth study of Mexican film director Alejandro Gonzalez Inarritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus.

Hector Amaya advances into new territory in Latin American and U.

Pop Modernism examines the popular roots of modernism in the United States.

With landmark films such as Fargo, O Brother Where art Thou?