This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins.
Adding to an already unforgettable collection of comic brilliance, Clive James followed-up Visions Before Midnight and The Crystal Bucket with Glued To The Box - the third and final collection of his hilarious, inimitable columns of TV criticism and a time capsule of 1970s/1980s entertainment.
Encompassing the thirty-five year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination.
Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins.
Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century.
Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century.
A hilarious time-capsule of 1970s television, Visions Before Midnight is the first collection of Clive James's much-loved, inimitable columns skewering the entertainment of the day.
Encompassing the thirty-five year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination.
Ausgehend von literarischen Texten Nikolaj Gogols, Fedor Dostojevskijs, Lev Tolstojs und Anton Cechovs werden Grundzüge einer Poetik des Sehens in der russischen Kultur rekonstruiert und bis in den Film, die Literatur und Kunst der sowjetischen und postsowjetischen Moderne weiterverfolgt.
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it.
The expert contributors together trace how the arts of editingand effects have evolved in tandem, starting with the 'trick films'of the early silent era, which astounded audiences by splicingin or editing out key frames, all the way to today's cutting-edgeeffects technologies.
Cinematically Rendering Confucius marks the first book-length enquiry into China's first two big screen treatments of arguably the best-known and most influential thinker in world history: Confucius.
Born Alfred Reginald John Truscott-Jones, Welsh American actor Ray Milland (1907-1986) appeared in more than 135 theatrical releases between 1929 and 1985 and on radio, television, and the stage, while also becoming a film director; Milland's extensive canon across such a period is remarkable, especially considering his lack of formal training, his belated start in show business in his late twenties, and the fact he only lived to age seventy-nine.
Widespread law enforcement or formal policing outside of cities appeared in the early 20th century around the same time the early film industry was developing--the two evolved in tandem, intersecting in meaningful ways.
This appreciative account of the 'Three Colours' trilogy communicates the power and imagery of the films, and demonstrates how Kieslowski's art is brought to bear in their moving renditions of the lives of its characters.
